I know that you'r a bit more used to that type of pictures . Any suggestion ? I have all DLCs FYI.
Thank you also
Hmmmm. Well what I try to do is balance the car with a secondary point of interest (a road, a corner, a tunnel, the list is endless), making them equal distance (roughly) away from the frame edges.
Here's an example.
Notice how the car is a third of the frame, using the
"rule of thirds," and that the S Curve in the background is
also in a third. The lines of the road should lead your eyes to the car, and the car also has lots of room to "move" through the frame to make the viewer a little more comfortable. It's a sub-conscious thing.
Lately though, I've been trying to steer away from placing stuff
exactly in the thirds, as things tend to get repetitive after a while, but I always ensure there is enough space around the car. If the car is chopped off by the frame edge, or close to the edge, the viewer's eyes may follow the details of the car and out of the frame, killing the mood.
Another thing is, if there is going to be a background, (and not just blurred out with
bokeh effect), you might as well make the background interesting to look at. Naturally, you want the viewer to look at the car first, but if the background is pleasing to look at as well, I think it makes for a more compelling photo most of the time. You want to tell a story, basically. While composing a dynamic shot, ask yourself where the car is coming from, what is it doing, and where is it going.
The main thing is, learn the "rules" of photography and then, break them.