Not sure how I missed this before.....
Great production and mixing! The musicianship and songwriting is great to, but the polished mixed was fantastic. Nicely done. What plugin's in general to you find you go to for mixing and mastering?
Generally, for single line vocals I will use Waves Rvox and if double tracking vocals or harmonies of the same line I will generally run them all through the same compressor feed, if they are seperate lines though I'l run them through a seperate Rvox compressor so that they aren't fighting over space... If I'm mixing a big selection of vocals (like a choir or similar) then I'l run them through a Waves C4 multiband compressor, this lets each individual voice breathe a little more and gives you massive control over the shape/presense of the sound... Then again though, if the quality of the performance is inconsistant I might just use a Rvox as it blends things together better (ironing out inconsistancies/flaws). EQ wise I tend to use Cubase's native EQ, it's really easy to do a frequency sweep with and find the sweet spots for your sound.
Effects wise I use a lot of delay on vocals (mostly Waves H-delay), sometimes use Cubase's own mono and double delays, rarely use reverb on vocals though, almost never outside of bigger choir type vocals or for extreme effect (like for example making a vocal part sound more like a synthesized part), I've always just liked delay more... on Guitar too.
Bass guitar, again I might use the Rvox but generally I'l use a C4 on the bass and do some heavy shaping to make it fit around everything else, usually use some tweaks to the basic EQ using the native EQ in Cubase too. Same goes for the guitars really, I often leave the guitar without any compression and just tweak the EQ (which is cut some top and bottom end off, the stuff you can't really hear), occasionally I might use a C4 but I generally get the guitar sounding where I like it with just the mic'ing process. For guitar solo's though or more lead type parts I might shape the EQ more, and use compression to really focus in on the parts, with a slight mid boost on the EQ in the recording. Drums are all mixed within the Superior Drummer 2 program, it has it's own built in plugins and it's easier to deal with routing and mixing of the overall kit if it's done within the vst plugin, always run the whole drumkit after SP2 through a basic Roomworks reverb plugin, just to take away a little dryness.
Once I've got a good clean mix with everything nicely balanced I will usually mixdown a 24bit Wav file and master that in Wavelab 6, again using some of the Waves plugins (dithering/mastering compression plugins, L2, L3, IDR etc..), there is also a really nice EQ I like in for mastering in Wavelab, think it's called Paragraphic EQ if my memory is correct, it may be native to the program I'm not sure, it has a moveable ball that you can move around that changes the EQ and makes it really easy to find the master EQ you're looking for. I'l generally run it side by side with reference track and find the sound I'm looking for. Generally though I end up going a little on the safe side with my masters, I usually find the sound I'm looking for and then dial it back a little bit, which ultimately ends up as almost identical to the original mix, but louder and a little more glued together (due to the mastering compression).