Anderton Prime
Well, I remember going to see Return of the Jedi with my dad, who wanted to see it even more than I did (I was about 6 at the time). And I bet most adult males around 50 years old today that I ask about the Star Wars Trilogy would say they loved it. Star Wars was way more than just three sci-fi movies when they were released, as I'm sure you already know. To suggest that they appealed to children only, to suggest that they did not have a tremendously lasting impression on the adults of the era, is to miss the phenomenon that was Star Wars completely.
That's cool your dad was excited about Return of the Jedi, but I would say he is an exception. My dad dutifully took me to all three movies the week they came out, but really couldn't care less about them. My father in law didn't even take his daughters; he let an aunt do it. And I would say most people older than 50 feel the same way.
Anecdotal evidence from both of us aside, can you honestly say the majority of Star Wars fans are not people 35 and younger, with 40 being the higher end? How old are the people attending the conventions? Reading the EU books? Collecting the comics and figures and dressing up as stormtroopers? I would bet real money that statistically, Star Wars fans (people that do more than just see the movie) were born after 1965 and not before. Star Wars is
gen X,
not baby boomer.
And I doubt very much if you saw my bedroom in 1983 you would think I "missed the Star Wars phenomenon completely". Dude, I
was the Star Wars phenomenon. I had the toys, the trading cards, the freakin bedsheets; heck, I even entertained the adults at family gatherings with my own version of a one man (boy) Star Wars show. (you should have heard them laugh when I fought both sides of a lightsaber battle
)
This crap we have today feels like "same old, same old" because that's exactly what it is. There's nothing in the way of special effects or technological innovations in either The Phantom Menace or Attack of the Clones that audiences haven't seen countless times before in arguably better movies. Therefore, viewers try to latch on to the characters in search of something "good" about the movies. And aside from Ewan McGregor, I don't see any characters with any depth at all. Natalie Portman is about as stone-faced as they come, as is the now completely-CG Yoda. Even Samuel Jackson's performance feels restrained ("No, he will not be trained." UGH).
Oh well. To each his own. There is nothing more for me to argue on a subjective level, the quality of the first two prequals. Opinions are opinions. FWIW, the prequel cast has good moments and not so good moments... just like the classic cast.
"It's you, Leia"
"Noooooooooooooo"
(whine) "But I was going to go to Tachi Station to pick up some power converters!!!"
All of which can be offset by the sheer brilliance of...
"I know." and "Tell your sister, you were right."
On an objective, techincal level, however, I think you are wrong. Phantom Menance had way more effects shots (over 1800, if I remember right) than any film before it. By way of comparision, a "big effects" film like T2 had 600ish. The level of production design for Menance and Clones blows away anything to come before them.
The standard reference disc for home theater sound systems continues to be the pod racing sequence from The Phantom Menance --a sequence, I may add, utterly blows away the very similar speederbike sequence from Jedi.
And really.. seriously, there is nothing that can rival the Jinn/Kenobi/Maul duel at the end of Menance. NOTHING.
And with the
one exception of the Siege of Helm's Deep in The Two Towers, where could an audience see a vast, epic sci-fi/fantasy battle where every shot was a pure effects shot like Geonosis a "countless" number of times?? (don't say Minas Tirinth, because that was a year later... and that would still number only two)
chaser_fan
Wrong in so many ways you are!
This may be true, if it weren't so positively false.
M