@kolio
Phew!
The purple Makala turned out to be a friendly dolphin instead of a deadly species of spider.
All kidding aside - thank you for taking the trouble (and time) to make such a post. So much to look at and comment on - but for a start - about the drums:
Over here in the suburbs of Toronto it seems fashionable (if not actually status quo) to have a basement equipped with a drum set in one corner of the room and a wet bar at the other end. Some, though, tend to take this more seriously and end up with miles of patch cord.
Those who have been there will know what I mean.
So we gather often - and it may be the same people but in someone else's home - and all it takes is one person to lift an instrument and suddenly it turns into a studio session.
I like playing drums - have been doing so since around ten, so whenever the drummers that are usually fighting to play drums desert the set to go show off on some other instrument I'm forced to give up playing rhythm (or flute or trumpet or harmonica or some other instrument I might be playing) and end up on drums.
This particular friend of mine is so serious about music he has a collection of drums from various parts of the word - bongos, congas, tom-toms, tablas, dholas . . drums with names that sound like drum beats themselves.
I won't be surprised to walk down one day and see a pair of tympani.
But 'drums' is the best thing if you're just chilling out on the music and taking off on what the rest of your pals are doing.
I can't do it for more than an hour or so, though - I get itchy fingered and want to start plucking stuff. Or blowing stuff.
And talking about plucking stuff - how I'd like to get my hands on that uke - sounds like it can make a lot of noise. My early days with a uke began around eight or nine - and then several years of living with it till the 'big' guitars came into my life and I could call one of
them my own.
The 12-stringer shouldn't be put to waste.
To start - get a set of XL strings - .009 -.45 and string it up. That guitar (just from the pics) sings to me - it's been around the block and picked up some good vibes. You don't have to tune it to pitch - even a few notes lower would be alright - put some pressure on that bridge and saddle and check how firm the nut is after you've placed some stress on it for awhile.
This might not be an overnight job, but recovering that 12-stringer will be well worth it believe me - nothing like a 12-stringer in full chorus like a choir of angels when you get it going.
Actually . . . it's all the backing orchestra a lead uke might need.