It has to be said: the trailer is a mess. Particularly the cinematrography; the whole thing looks over-exposed for the sake of making the colours brighter, but the problem is that the colours are already very bright on the track (making it look like a cartoon in places), and bland of the track (making it look muddy). There's absolutely no pacing to it, either. It's completely schizophrenic, unsure whether it's a film about Hunt, a film about Lauda or a film about both of them. The score is the typical Hans Zimmer when he's not working on a blockbuster like Inception - generic and, in this case, anachronistic.
Altogether, it feels like the trailer has absolutely no idea what direction it's going in, and has simply thrown together a collection of bits and pieces from each of its ideas and lazily padded it out with some vague content that could be from anything.
It has to be said: the trailer is a mess. Particularly the cinematrography; the whole thing looks over-exposed for the sake of making the colours brighter, but the problem is that the colours are already very bright on the track (making it look like a cartoon in places), and bland of the track (making it look muddy). There's absolutely no pacing to it, either. It's completely schizophrenic, unsure whether it's a film about Hunt, a film about Lauda or a film about both of them. The score is the typical Hans Zimmer when he's not working on a blockbuster like Inception - generic and, in this case, anachronistic.
Altogether, it feels like the trailer has absolutely no idea what direction it's going in, and has simply thrown together a collection of bits and pieces from each of its ideas and lazily padded it out with some vague content that could be from anything.
sems4arsenalIf those cars don't drive through the Middle of a city ,then Pass.
Noooooooooo. No more "Driven" references lol. Horrible attempt at a CART/Indycar movie that was.
I'm perfectly aware of that.The trailer's showing that the film's about an era, or event.
prisonermonkeysI'm perfectly aware of that.
I made it pretty clear that the trailer's problems are technical problems. I'm talking about film-making techniques, not the content of the trailer.
It has to be said: the trailer is a mess. Particularly the cinematrography; the whole thing looks over-exposed for the sake of making the colours brighter, but the problem is that the colours are already very bright on the track (making it look like a cartoon in places), and bland of the track (making it look muddy). There's absolutely no pacing to it, either. It's completely schizophrenic, unsure whether it's a film about Hunt, a film about Lauda or a film about both of them. The score is the typical Hans Zimmer when he's not working on a blockbuster like Inception - generic and, in this case, anachronistic.
Wardez makes a great point although I won't form an opinion until seeing the actual movie.
Hemsworth doesn't really work as James Hunt either.
Just going to re-enforce this part as someone who just barely understands the story. The trailer doesn't really do a good job at explaining what's going on except that there's a rivalry between 2 F1 drivers. Everything seems incredibly over dramatic, over exaggerated from the cars leaving the line, to the aerial views, to the way the actors talk, & so for. I mean, there looked like there were 2-3 different scenes of Hemsworth & Wilde embracing within' 2 seconds of each scene.The big problem to me is that, to those not knowing the story, it makes no sense at all. They're over emphasizing "epic."
Neither of them fit the mold of the anti-hero. Anti-heroes tend to be protagonists who do not have any heroic virtues or qualities. Any virtues they do have are marginalised by their actions. For example, in the film Serenity, Nathan Fillion's character kills an unarmed civilian who is asking him for help so as to save him from a gruesome and brutal death. When challenged on it, he admits that he could have taken the civilian, but doing so would have put his crew's lives and livelihood at stake (for reasons that are too complicated to explain). That's an example of an anti-hero. Hunt and Lauda don't fit that mold.I think what we'll have here is Hunt and Lauda presented as 2 anti-hero characters
"It's always the dispassionate films executed in documentary style that show us what mankind is truly capable of and consequently make us passionate. Kubrick did as much regarding space travel in 2001: A Space Odyssey, as did Wise in his portrayal of scientific method in The Andromeda Strain. When Delaney (McQueen) undramatically explains his motivation for returning to the most demanding of the GT endurance races with the plainly delivered words "When you're racing - it's life. Anything that comes before or after is just waiting" we realise that any emotional content delivered on top of the actions of such men would be superfluous, or would even detract from their achievements.
To the unfamiliar viewer, raised on the formulaic and dependable sports action drama, the tension is in all the wrong places. The start of the race, effectively a 15 minute build up to the 4 o'clock commencement climaxing in Delaney's racing heartbeat and the roar of 50 or so competition engines - has us more wound up than the sequence portraying the final lap (but only just). Similarly, the scene in which Delaney's team manager (Ronald Leigh-Hunt) orders him back on the circuit after a near-fatal accident is without the (surely obligatory nowadays?) show of defiant reluctance - Delaney is hardly the identikit Hollywood hero whom we could expect to confront authority armed to the teeth with the usual cocky dialogue. Quite the opposite. Delaney - the lop-sided figure quite unable even to cope with a confrontation with a fellow racing-driver's widow without feeling awkward realises that, rather narrowly, he is able only to drive faster than most other professional drivers and that he has no self-affirming existence outside of the demands and constraints of the team.
For all those who believe that the heroes of this world are those who rebelliously reject such impositions on the 'free-spirited' individual - whether they be the social class-based constraints of Titanic or the intellectual ones of Dead Poets Society - the film will no doubt descend into lap upon lap of fast Ferraris and Porsches (as it did for the Time Out film reviewer). Those of us who know that mankind's most towering achievements (winning an event such as the 24 hours of Le Mans being no exception) have been constructed by relatively stunted men and women will sympathise with the character of Michael Delaney. Delaney is no hero, but is all the more heroic for it."
Chris Hemsworthi hope all of you will like this movie. it was sooo hard being so thin and then bulking up fast for thor 2. word of advise, DON'T BE AN ACTOR. still working out 3 hours a day and eating a lot of protein. im in London right now! cheerio!