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- Australia
Other than exposure to photography in car magazines (namely EVO, who's 'toggers are epic in every way), I don't really go searching for names to photos. Also, I don't follow photographer's work because it always seems detrimental to my esteem.
I get a few inspirations from browsing redbubble. I could get names, but it would be very time consuming. I might come back to that later.
With that, I love being round the photography section of this website, so I'll have to say I take most influence from you guys.
Notable people (picked out for featuring more style that a few others).
Sweetshop: Awesome is an overall generalisation of your work. You hit the nail on the head when it comes emotion and tone in the images, and you have prodigal technique with shooting and pp. That set featuring the art museum really blew me away.
F1GTR: Wow. Not around here nearly as much as I'd like, but you make up for it when you are. Your sets really capture that atmosphere around your subjects and locations. Your pp is somewhat unique, very fitting, and puts most of us in the shadows. The tones that you get are something I have had a stab at replicating. Awesome stuff.
TVR&F_F: Really amazing work. The angles and some of the smaller details you focus on are brilliant. Of course having amazing subjects helps the impact of your work (I can only dream of going to the FOS), but your composition/framing is usually new and refreshing, and the tones you use are really deep and easy to the eye. Magazine/wall poster worthy.
Syntax: Maaaaaaaate....the pro. Erm. Outstanding level at all times is all I can really say. Trackside technique is amazing, as is your pp (I really don't know how to do what you did with the S2K in your gallery - with the many layers). You are one of the people that is detrimental to my esteem. I am always amazed (yet expect nothing less) when I look at your stuff. Also, I am terribly, terribly jealous of the kit that you use. I guess it’s one of the perks of the trade.
SPhilli911: Always a extremely high level coming from you. There is a very good reason why your Countach made it to the cover of the 2010 GTP calendar. Other shots that really impressed me include the SLR B&W in the city (another contender for the calendar) and the GT3 rear shot from not too long ago. You have that ability to make a huge impact with your shots. They have that quality about them that I look at them simply for fun.
Moglet: Another one of those who should hang around here more. Some of the stuff you come up with is amazing. I seem to remember a rustic tractor in your gallery that really amazed me. You also have that ability to see something in the everyday stroll and make an awesome photo out of it. I most of the things you see every day, but I couldn't frame it nearly as well as you, mostly because I wouldn't think about taking a shot of it in the first place. So props to you for seeing things I don't.
Mclaren: Not always as hot as some all the time, but when you get it, it’sgotten, and no-one can get it better. Some of the shots in your gallery are outstanding. Namely the ones that I picked out (especially the "Go baby, go" and the ACR Viper as some of the ones that REALLY stand out). I really envy some of the stuff that you produce
LongbowX: Mood is defiantly your forte. You have that skill to change how the subject is viewed by your awesome pp techniques. Your framing is faultless, and you always bring new stuff to the table, which is awesome and broadens view how what can be done and how something can be portrayed.
NISMO: Your full sized work is great, but it’s your model stuff that truly amazes me. The lighting, the composition - so subtle, yet have so much impact. Imagine if someone have you a supercar and a studio to work with.
I might have left people out and this is probably because your styles are developing or are like the above mentioned artists. It’s the people above whose work I am constantly impressed with and whose work pushes into new styles and techniques.
God job everyone. 👍 👍 👍
I get a few inspirations from browsing redbubble. I could get names, but it would be very time consuming. I might come back to that later.
With that, I love being round the photography section of this website, so I'll have to say I take most influence from you guys.
Notable people (picked out for featuring more style that a few others).
Sweetshop: Awesome is an overall generalisation of your work. You hit the nail on the head when it comes emotion and tone in the images, and you have prodigal technique with shooting and pp. That set featuring the art museum really blew me away.
F1GTR: Wow. Not around here nearly as much as I'd like, but you make up for it when you are. Your sets really capture that atmosphere around your subjects and locations. Your pp is somewhat unique, very fitting, and puts most of us in the shadows. The tones that you get are something I have had a stab at replicating. Awesome stuff.
TVR&F_F: Really amazing work. The angles and some of the smaller details you focus on are brilliant. Of course having amazing subjects helps the impact of your work (I can only dream of going to the FOS), but your composition/framing is usually new and refreshing, and the tones you use are really deep and easy to the eye. Magazine/wall poster worthy.
Syntax: Maaaaaaaate....the pro. Erm. Outstanding level at all times is all I can really say. Trackside technique is amazing, as is your pp (I really don't know how to do what you did with the S2K in your gallery - with the many layers). You are one of the people that is detrimental to my esteem. I am always amazed (yet expect nothing less) when I look at your stuff. Also, I am terribly, terribly jealous of the kit that you use. I guess it’s one of the perks of the trade.
SPhilli911: Always a extremely high level coming from you. There is a very good reason why your Countach made it to the cover of the 2010 GTP calendar. Other shots that really impressed me include the SLR B&W in the city (another contender for the calendar) and the GT3 rear shot from not too long ago. You have that ability to make a huge impact with your shots. They have that quality about them that I look at them simply for fun.
Moglet: Another one of those who should hang around here more. Some of the stuff you come up with is amazing. I seem to remember a rustic tractor in your gallery that really amazed me. You also have that ability to see something in the everyday stroll and make an awesome photo out of it. I most of the things you see every day, but I couldn't frame it nearly as well as you, mostly because I wouldn't think about taking a shot of it in the first place. So props to you for seeing things I don't.
Mclaren: Not always as hot as some all the time, but when you get it, it’sgotten, and no-one can get it better. Some of the shots in your gallery are outstanding. Namely the ones that I picked out (especially the "Go baby, go" and the ACR Viper as some of the ones that REALLY stand out). I really envy some of the stuff that you produce
LongbowX: Mood is defiantly your forte. You have that skill to change how the subject is viewed by your awesome pp techniques. Your framing is faultless, and you always bring new stuff to the table, which is awesome and broadens view how what can be done and how something can be portrayed.
NISMO: Your full sized work is great, but it’s your model stuff that truly amazes me. The lighting, the composition - so subtle, yet have so much impact. Imagine if someone have you a supercar and a studio to work with.
I might have left people out and this is probably because your styles are developing or are like the above mentioned artists. It’s the people above whose work I am constantly impressed with and whose work pushes into new styles and techniques.
God job everyone. 👍 👍 👍
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By the way, most of my gear I buy used and from overseas. At the moment the AUD is strong against the USD so most of my recent acquisitions are from there. It is definitely worth looking at what is available around the world as there are some great bargains out there.
It will only degrade if you keep editing and saving it (as that will require decompression and recompressing). Which is why I keep it in an uncompressed format (like TIFF) until I'm done editing.
