Just watched "The Mist".
Frank Darabont. I am astounded.
I think Rimmer said it best when he said "What a load of rubbish. I consider it an insult to my backside, having to have sit here, growing carbuncles through such girlie adolescent schoolgirl mush".
Ok, so it wasn't necessarily "girlie", or "mush" (at least not in the traditional sense). The overall message remains apt.
Where to start...
How about the hideously contrived story. I was aware going into this, that it was more of a traditional horror story. I mean, even the name is a throwback to the old horror movies of the 50's and 60's. Considering Darabont's last two Stephen King collaborations were outside of the horror genre completely ("The Shawshank Redemption" and "The Green Mile"), it's not too hard to see why this didn't gel as well. I had heard the writing was a bit cookie cutter. I was not quite prepared for the formulaic plot, cheap Hollywood stereotypes, and cheesy hackneyed situations.
Then there's the special effects. These were obviously lifted , nay, ripped from some 70's Japanese monster movie, coated with modern day spit and polish, and spread onto the screen with the finesse of a hippo on ice.
There's more, but what's the point? You get the drift.
Frank Darabont.... I'm calling your mother. This behavior is unsubstantiated. Now go sit in the corner until your parents arrive.
I'm gonna have to stick up for Night Watch here. I think Underworld would be more of a ripoff in the sense that it was another Hollywood cookie cutter style movie I've seen about million times before. First time I saw Night Watch, I didn't know what to expect next. The film was definitely rough around the edges, but I thought the plot, SFX, etc., were very stylish, refreshing & unique.
I would agree with most of your statement. Most assuredly. I found underworld to be a pretty typical over-the-top Hollywood fantasy thriller. Which is fine, if that's something you enjoy. It's not for me. "Night Watch", was a bit pretentious, but had a much more sincere delivery, and the gritty indie style camera work (probably because it was an independent film) somehow gave the film a slight edge in believability. Not that all the situations seem plausible, just that they are shot, and acted, in a more believable fashion.