Black Snake Moan (2006) -- Either I didn't get the movie, or whatever there is to get is too damn superficial. It was funny to see Christina Ricci play a super slut, though Sam Jackson as a blues singer was a bit over the top. THe movie is "too american" at times, using the 'blues' as a stepping stone to everything in life, plus the southern behaviour atmosphere. In the end, I think the movie was a bit less than okay, though very badly marketed. It's the type of movie that makes you think befire even recommending it, has very good acting, well filmed and the story is very different. I wouldn't recommend it, but only because I think people will react differently to the scenes, especially the more twisted ones. 6/10
Soylent Green (1973) -- It's the year 2022... People are still the same. They'll do anything to get what they need. And they need SOYLENT GREEN. The setting is very made-for-tv, or only-marketable-in-the-US, but I liked it a lot. It's amazing how a movie made in 1973 is so current nowadays plotwise. Mostly with all the ways society becomes more and more violent. On the minus side, except for very few ocasions, this movie doesn't invest much in visuals, so it seems like it's really 1973, and it lacks a bit of action. Still, it's a cult classic. 7.5/10
Cool as Ice (1991) -- Before anyone says anything, I was checking out IMDb's Bottom 100 and wondered just how bad a movie had to be to be included in the Bottom 100 List... the answer is very, very bad. Seriously, this is a movie as cool as Vanilla Ice, especially when he's the star of the movie and the producers actually trusted him with acting. The movie is so bad that the director had to wait 8 years before he got someone else to trust him with a movie.
obi-wan27
Some bits not to be missed:
- Mr. Ice dry humping his teenaged love interest on the floor during a dance number. Very classy.
- The peanut butter-sardine-pineapple sandwich. Yum.
- Vanilla Ice saying "You don't know me. You don't know me at all!" in an Oscar clip moment. Then he zips off on his dayglo painted motorcycle. Peter Fonda and Dennis Hopper were never so cool.
- Vanilla Ice and his posse busting through the SECOND floor of a building on their motorcycles. He's so cool, even the laws of physics don't apply.
- Ice uttering the hysterical line "Drop that zero. Get wit' a hero." Has to be heard to be appreciated.
I'd venture enough to give this movie a 3/10, but just because of its amazing pathetic scenes and overall use of fucsia.
Bubba Ho-Tep (2002) -- Seriously, what movie could go wrong with a setting like this: Elvis and JFK, both alive and in nursing homes, fight for the souls of their fellow residents as they battle an ancient Egyptian Mummy. Enough said. 2/10
Down by Law (1986) -- I've always liked the movies by Jim Jarmusch, where different people with different stories come together; but where the movie is actually like three different shorts. This one is about three different men in a Louisiana prison and their eventual journey. It does get a bit boring at times, but it's mostly because of artsy scenes and very slow sequences. Roberto Benigni is a bit awkward, but a great addition. In the end, it's a simple but memorable film. 7/10
Spellbound (1945) -- Great Hitchcock movie, though probably not among the best of his. Ingrid Bergman is beautiful, though she can't really rescue this film from being bland. Some scenes are inspired from Salvador Dali, so expect major psychedelia to go on. Though simplistic in its treatment of psychiatry, it's a bore. 7/10
The Toxic Avenger (1984) -- The typical movie most b-movies wanted to be. Poster child of the 'so bad it's good' brigade. None of the actors give even remotely decent performances, the sets are crap and the effects are like uhhh. Oh, and of course Marisa Tomei has a small appearance in the movie. 5/10 for its classic value.
You Move, You Die (2007) -- This movie is the product of somone who saw Lock, Stock and Two Smoking Barrels and thought 'heeeey, I'm sure I could make a movie like that'... the result is complete crap, with a few bits of genius, including some decent camera work (though it's too much handheld at times) and some funny lines. All in all, this movie is a continuation of this never ending cycle of sub-mediocre, ego- driven and wholly wretched home-movies that seem to sprout everywhere. 3/10
C'est arrivé près de chez vous (a.k.a. Man BItes Dog) (1992) -- Probably one of the most violent movies I've ever seen, though it's also probably one of the best mockumentaries out there. A camera crew follows a serial killer/thief around as he exercises his craft, resulting in a movie that is both hilarious and horrifying. The only flaw with the film is that towards the end it slightly runs out of steam (it could've been cut of about ten minutes without losing its impact). Still, its a classic whose originality and audacity require more than just one viewing. 8/10
Fa yeung nin wa (a.k.a. In The Mood for Love) (2000) -- V ery good film set in Honk Kong in 1962, about a man and a woman who suspect their respective spouses are having an affair. It's sexy without showing everything. Wong Kar-Wai also doesn't allow the audience to see what the spouses look like, suggesting that Mr. Chow and Mrs. Chan should be together. Just prepare yourself for the ending. I heard that the Chinese censors completely destroyed this movie by eliminating any contact between the characters, and to be honest at times it was hard to realise the characters were sleeping with each other... oh well, such is censorship. Most people will probably fall asleep in it, though. 7.5/10
Koyaanisqatsi (1982) -- If you saw
Baraka and liked it, this is a movie for you. This is a movie with no conventional plot: merely a collection of expertly photographed scenes. There are no actors, no storyline, and no dialogue. Produced by Francis Ford Coppola and the music is by Philip Glass. Though not something to rent and watch with friends, it's definitely what you'd want to have around to test out the huge-screen TV, especially if there's an HD version out. 8/10
Smoke (1995) -- A Brooklyn smoke shop is the center of neighborhood activity, and the stories of its customers. A lot in the style of Jim Jarmusch, but less artsy and with a nice message in the end. Excellent depiction of humanity at its best and its worst, but with a more mundane approach. Very likeable. 8.5/10