this is probably a stupid question but how did you copyright your song ?Good question...
I'm afraid the simple answer is, if you don't want it stolen (or copied), don't post it on the internet.
I post my stuff on SoundCloud, and only yesterday someone downloaded my latest song just hours after I posted it, despite the fact that I didn't make it downloadable. That said, it doesn't make any difference to me... it is still copyrighted and if someone decided to try and make any money from it, I would have a right to sue them. That said, if someone could make any money from my music, then I'd frankly be amazed!
I have also found websites that make SoundCloud (and other sites) content free to download - I notified SoundCloud and they said that they try to take action against such sites, but it is practically impossible to stop.
👍 Excellent stuff - it's a major bonus being able to add real brass instruments to a track - it really adds something different and very distinctive.
CD Just released on KCP Music label.
Enjoy: http://www.cdbaby.com/cd/thekennycoenproject
Stream it on Spotify here: https://open.spotify.com/album/5WhdExrCEZrcQ7OT9d29wo
I'll check this out once I get home from work and rested. 👍
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The Wayne Wallace Latin Jazz Quintet just released their fifth album, called "Intercambio". Relevant to this thread because I play bass trombone on it! (Tracks 2, 4, 8, and 9 if you care)
Check it out: http://waynewallacelatinjazzquintet.com/music/
It's a really cool album, as are all of Wayne's albums. His music fuses a lot of different genres into his own unique funky Afro-Caribbean sound. Definitely recommended if you want something different to listen to!
Excellent. I have a listen and review thread here: https://www.gtplanet.net/forum/thre...e-some-input-or-reviews-of-our-new-cd.331380/
I checked out the samples, how many other trombones are on it? What was the recording experience like? How'd they track it? Sounds good man!
There are three tenor trombones and one bass trombone (me). Recording was fun, we did it at a studio that I'm at a lot doing sessions for people. The sound engineer who owns it is really top notch and also a great guy. I really enjoy studio stuff so it was a great experience.
For our session all the rhythm section parts had already been recorded in San Francisco, so we used those in the headphones instead of a click track. It was just the four trombones there; the strings, woodwinds, solos, etc. were all done in separate sessions. Most of the stuff we recorded all four parts at once, but for a couple of sections we had to record each part individually.
I played on another forthcoming album led by the same guy in the same studio a couple of months ago. That one had a lot of overdubbing/multitracking because Wayne and I recorded the 4 part stuff by ourselves, with me playing lead and bass and him playing 2nd and 3rd. In that album he also had me play mellophonium and French horn on a few tracks. I'm even more psyched for that one!
Thanks for the compliment!
Some of the stuff I've been working on in the past five or so years:
And here is what I'm working on at the moment:
I liked the first one, the piano piece. Was that one a genuine recording? (I'm assuming the others are made with keyboards?)