BobK
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- Massachusetts, USA
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Aww, c'mon... "Nobody But Me" by the Human Beinz is a great song!
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This type of thinking doesn't apply to every song like you think it does. If your chorus only consists of 1 line, & then gets repeated 16 times in 3 different points in a 3 minute-long song, that is not musical talent. Any idiot can write "music" like that by repeating 1 line throughout a song as long as you have a beat. But, even with such a simplistic line, some critics still said her vocals were still heavily tuned.
Willow Smith's singing "career" is only out there because her parents (father really) are high profile celebrities & in today's society, the celebrity kids try to follow in their parent's footsteps. I'm more amazed this is one of Jay-Z's proteges, but then again, he compared her to Stevie Wonder & Jackson just because she was young. :facepalm:
But that doesn't mean it's "bad". Like I've said. Bad music is subjective.
Agreed 👍
(If you don't want to read the whole post there is a tl;dr version at the bottom)
If there's one thing that defines art, it's that art is impossible to look at objectively. There is no right or wrong answer to how something should sound, look, or feel, everything is entirely in the eye (or ear) of the beholder. Saying that something 'is' bad is just an opinion, it doesn't actually mean it's bad.
For anyone who thinks that out of tune music can objectively be considered bad, I'd just like to point out that almost no music is in perfect music. The tuning system used by almost all western music is called equal temperment, and the dissonance from a simple major chord is enough to bother people with very strong, well trained ears.
When you compare music in just intonation (perfect harmony, can be acheived on fretless instruments/computers) with music in 12-tone equal temperment (a piano, guitar, and many others use this, is what is taught in basically all music theory books (possibly not so at a university level)), often people will say they prefer music in equal temperment. Perfect harmony just isn't as intresting for many people, and the dissonance generated from your average chord can be quite appealing to most people, it makes the music feel more real, and kinda gives it personality and character.
Most people like a small amount of dissonance (so, basically they'll like the sound of a major chord on a piano/guitar). When the amount of dissonance is increased (as with diminished, augmented, or out-of-tune instruments), a lot of people don't like it. However, I feel like you have to respect that since almost all music considered 'good' is a little bit out-of-tune, music which is very out-of-tune could also be considered good.
That's not to say this thread is a bad idea though. I will sometimes listen to music which I consider to be 'bad' in social or guitar hero situations, and very occasionally simply to hear what it sounds like. That doesn't make the music 'bad', it's just what I (subjectively) consider 'bad'. And even then, often there are many good atributes in music I consider to be 'bad'. For example, Avenged Sevenfold. They have some really fun riffs to play on guitar, and I sometimes listen to them, but I find an extremely large amount of their music to be annoying, something I call the A7X syndrome. Where you take some great riffs, and while turning these riffs into songs you inject them with the A7X syndrome and the songs as a whole comes out being annoying. This leads to me sometimes playing these songs on guitar / guitar hero, but never listening to them on their own because I consider it 'bad' and annoying
If you've made it this far through this block of text, then you might as well read the tl;dr version as it includes my basic answer to the OPs question, sorry for making you read so much
And sorry if this is grammatically incorrect in places, as I suspect it very much has
tl;dr version:
Music is a form of art, and can only be looked at subjectively. What one person likes isn't nessecarily what is 'good'. That doesn't mean this thread is a bad one though. Perhaps just make it clear in the OP, that the question is something like this: Do you listen to music that you consider bad? And then my answer would be something like this: Though I don't typically listen to music I consider bad, when with friends or playing guitar hero my I will go so far as to listen to music I wouldn't listen to otherwise, such as Nickelback and Avenged Sevenfold.
Agreed 👍
(If you don't want to read the whole post there is a tl;dr version at the bottom)
If there's one thing that defines art, it's that art is impossible to look at objectively. There is no right or wrong answer to how something should sound, look, or feel, everything is entirely in the eye (or ear) of the beholder. Saying that something 'is' bad is just an opinion, it doesn't actually mean it's bad.
For anyone who thinks that out of tune music can objectively be considered bad, I'd just like to point out that almost no music is in perfect music. The tuning system used by almost all western music is called equal temperment, and the dissonance from a simple major chord is enough to bother people with very strong, well trained ears.
When you compare music in just intonation (perfect harmony, can be acheived on fretless instruments/computers) with music in 12-tone equal temperment (a piano, guitar, and many others use this, is what is taught in basically all music theory books (possibly not so at a university level)), often people will say they prefer music in equal temperment. Perfect harmony just isn't as intresting for many people, and the dissonance generated from your average chord can be quite appealing to most people, it makes the music feel more real, and kinda gives it personality and character.
Most people like a small amount of dissonance (so, basically they'll like the sound of a major chord on a piano/guitar). When the amount of dissonance is increased (as with diminished, augmented, or out-of-tune instruments), a lot of people don't like it. However, I feel like you have to respect that since almost all music considered 'good' is a little bit out-of-tune, music which is very out-of-tune could also be considered good.
That's not to say this thread is a bad idea though. I will sometimes listen to music which I consider to be 'bad' in social or guitar hero situations, and very occasionally simply to hear what it sounds like. That doesn't make the music 'bad', it's just what I (subjectively) consider 'bad'. And even then, often there are many good atributes in music I consider to be 'bad'. For example, Avenged Sevenfold. They have some really fun riffs to play on guitar, and I sometimes listen to them, but I find an extremely large amount of their music to be annoying, something I call the A7X syndrome. Where you take some great riffs, and while turning these riffs into songs you inject them with the A7X syndrome and the songs as a whole comes out being annoying. This leads to me sometimes playing these songs on guitar / guitar hero, but never listening to them on their own because I consider it 'bad' and annoying
If you've made it this far through this block of text, then you might as well read the tl;dr version as it includes my basic answer to the OPs question, sorry for making you read so much
And sorry if this is grammatically incorrect in places, as I suspect it very much has
tl;dr version:
Music is a form of art, and can only be looked at subjectively. What one person likes isn't nessecarily what is 'good'. That doesn't mean this thread is a bad one though. Perhaps just make it clear in the OP, that the question is something like this: Do you listen to music that you consider bad? And then my answer would be something like this: Though I don't typically listen to music I consider bad, when with friends or playing guitar hero my I will go so far as to listen to music I wouldn't listen to otherwise, such as Nickelback and Avenged Sevenfold.
I don't agree. I think there's both a subjective and objective side to music. Subjective is what you like, and objective the quality/skill of musicianship. Just like other artforms.
Now, one could obviously argue that the subjective part is more important, and in a way it is, as there's no point listening to music you don't enjoy.
I still think that you shouldn't call music you simply don't like bad unless it is musicaly. Giant steps isn't bad no matter how much you dislike it.
You agree, you just don't realise it yet
Deciding what is good/bad is entirely subjective. Even if you make it as objective as possible, deciding what takes 'skill' is subjective, and deciding what is a demonstration of quality musicianship is also subjective. Anytime you ever see a list or ranking of top # of songs/bands/musicians it has always been decided subjectively. Saying Giant Steps is good (while I agree) is subjective, it's just an opinion.
Simply put, you can't go into any functioning court of law and conclusively prove that any individual piece of music is good/bad so that you can use it as evidence in a case. If it is possible to do that, then the court is not functioning properly![]()
It's just a disagreement over definitions really, when it comes to art you just can't objectively say something is better or worse then something else. Yes, you can objectively follow certain criteria to determine what song is 'good' and what song is 'bad', but deciding what criteria to follow is subjective.
So simply put, we all agree about everything except a couple definitions, and hopefully you have now been convinced that all music has to be judged subjectively, and you can't just say something is bad, but rather that it is bad in your opinion, and yet you still listen to it![]()
I have a song I consider bad that I listen too anyway that I'd like to post, but it has a music video too so I'll wait until I'm on a computer and then I will post it![]()
It's bad in the sense there's no form of talent or "art" behind it. It's a child singing a chorus line over and over and over and over to a beat. That is not music. If it was, we'd all be musicians.But that doesn't mean it's "bad". Like I've said. Bad music is subjective.
Songs about love or drugs have been "overdone" since the 1970's to be fair. They not be the most original topic to write about, but all that matters really is how the song is written & sometimes, the meaning behind it.If you're considering "bad" music to be like most of the stuff you hear on mainstream radio today, then no, I don't listen to it. Why? Because they often lack originality, since love or drugs or whatever it is is way overused. Also, most don't write their own lyrics. For example: Beyonce needed 6 songwriters to create the song "Run the World" (which only has two lines that repeat over and over), while Freddie Mercury wrote Bohemian Rhapsody, arguably one of the greatest songs...EVER, by himself.
It's bad in the sense there's no form of talent or "art" behind it. It's a child singing a chorus line over and over and over and over to a beat. That is not music. If it was, we'd all be musicians.
Songs about love or drugs have been "overdone" since the 1970's to be fair. They not be the most original topic to write about, but all that matters really is how the song is written & sometimes, the meaning behind it.
Rick Ross' "9 Piece" is about how he's a drug dealer. There's no personal meaning behind such stupid lyrics because Rick Ross doesn't sell dope. He just writes whatever he thinks sounds good. If you were to look at "A-Team" though, it's another song about drugs, but it tells the story of a girl who fell into it & what she does to keep buying it. As far as originality goes, there is none, but the "A-Team" is at least more catchy & a sad song that people can actually relate to instead of Ross who just says he sells dope straight off the iPhone. If we go one step beyond & look at my favorite song, "Kickstart My Heart", it's about doing drugs as well. Again, another overdone topic, esp. for being written in the 80's, & I admit that I really like it for how it's performed than for the lyrics. But, at least the meaning behind the song describes how Sixx felt every time he did drugs & how "kickstart my heart" refers back to him needing 2 adrenaline shots to the heart to revive him after overdosing. No real originality in the song, but at least there's real meaning behind the lyrics.
BTW, not saying you're wrong or critiquing you, just giving some examples that over used topics still lead to classic songs.
And I agree with you on the song writers these days.
You can argue the subjective line all you want. As Encyclopedia put it perfectly, when you look at music from a musical standpoint, Willow Smith's song is not good music.To you that's not music. I think it is, therefore I can choose wether or not it appeals to me. And therefore that doesn't make it "bad". You don't need to have the the title of a musician to be one. Just because there is no art or talent behind it still doesn't qualify it as music. Birds chirping could be music to my ears for all I care. Music is an organization and title that we put to certain sounds. We all percieve sounds a different way.
You can argue the subjective line all you want. As Encyclopedia put it perfectly, when you look at music from a musical standpoint, Willow Smith's song is not good music.
Where did I say you have to to begin with? From the general public's perspective, it's good/bad. From a technical standpoint, it's not good music.Who says that you have to look at it from a musical standpoint?
Surely if you like a piece of music, then by definition, it can't be "bad" (in your opinion)?
Another long post
I'd just like to make it clear that talking about being 100% objective. The reason it's impossible with regard to skill is because you can't precisely define a musicians skill, because there are so many things going on at what time, tiny little individual skills collaborating to form sound waves which we enjoy listening to. From the thoughts in the brain sending signals down through the body to the muscles used to play any given notes(s), all while doing this on some kind of rythym, it's truly quite incredible when you think about everything that's going on. Skill in any task is something that you can't perfectly quantify, because there are far too many little individual things going on at once, and also not to mention the millions of variables which go beyond even a molecular level.
To perhaps better explain what I'm getting at, I've created a hypothetical situation: A music related example of this would be to get two guitarists to play a certain song, and whoever was playing the exact same notes at the exact same time as the original - within 1 percent of a semitone of the pitch - would be considered a 'better' guitarist. So, guitarist A practices for weeks, and come test day he achieves a solid 96%. Guitarist B practices for a couple of hours prior, and achieves a decent 94%. So, who is a better guitarist? Common sense would suggest guitarist A is better, as he is better at playing this piece of music than guitarist B. But what if I said that wasn't the case?
What if, we changed to a different song, something much more difficult? Guitarist A practices for weeks, and can barely manage to hit 52% of the notes, and because he couldn't get the pitch bends to within 1 percent of the intended pitch, his final score was a very poor 38%. Guitarist B put in a couple hours of practice for a few days prior, and scores a very impressive 92%. Now that suggests that guitarist B is more skilled. Guitarist B's average score was higher than guitarists A's, so it is safe too assume that guitarist B is better, right?
To better represent the complexity of the situation, let's say that both of these guitarists have successful solo careers. One career however, is more commercially successful than the other. Guitarist A has created 20 albums, selling an average of 16 million copies each, for a total of 320 million albums sold. Guitarist B has created 4 albums, and on average has sold 8 million copies for each, a total of 32 million. Both guitarists create music in the same genre of music. Now this would suggest that guitarist A is better when it comes to applying his creativity on a guitar, while guitarist B is better at shredding the fret board and generally just playing any piece of music you put in front of him.
So, the question is who is a more skilled musician?
The only possible way to decide who is a more skilled musician is by having an opinion about how you, a person, define skill with regard to being a musician. What skills do you value more, being able to play any piece of music, or being able to compose music that pleases people and something other more capable guitarists can play. Which of those individual skills is more important to you is what is used to decide who you think is more skilled. It's just a subjective opinion, not any more right wrong then any other, it can coexist with anyone else's opinion regardless of whether they agree or disagree about who is more skilled![]()
Where did I say you have to to begin with? From the general public's perspective, it's good/bad. From a technical standpoint, it's not good music.
It's the same thing with art. People can look at a 10 year old's drawing & call it good/bad. From an artistic standpoint though, it's not good art because from that view, it's judged based on the fundamentals that make art.
There's no way to debate what is fact from that viewpoint.
It's not an opinion from a technical standpoint. Done arguing this with you, since you want to argue over something that is not subjective.They can call it whatever they want. It's their opinion. That doesn't make it bad. Even if everyone says so.
It's not an opinion from a technical standpoint. Done arguing this with you, since you want to argue over something that is not subjective.
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I just have a feeling you aren't understanding where I'm coming from. No matter, it was good having this debate with you 👍
It boils down to the usage of the word good to me. I think enjoyable is a much more descriptive word when meaning what you like. Less chance for misunderstanding etc.
But I'll say it again. There's both an objective and an subjective side to music. If you say that music is only subjective, then the term loses it's meaning. Music is something. Not just random noises.