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Starting watching Railgun. Its unique. I like all the different "powers" people have. Some are pretty creative, such as the power to change the viscosity of asphalt. I think I'll keep watching.
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I like all the different "powers" people have. Some are pretty creative, such as the power to change the viscosity of asphalt.
She isn't playable in this game...it's Reimu, Marisa, Sanae and Reisen.Watch when Sakuya becomes non-playable at the last moment just to spite everybody in the world.
She isn't playable in this game...it's Reimu, Marisa, Sanae and Reisen.
Also, the game is called Legacy of Lunatic Kingdom...which means the acronym we'll all call it is LoLK. That's funny.
Let's also all appreciate Reisen's new gun (with bunny ears).
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Touhou 15 is coming. Official announcement (in Japanese) from ZUN.
Reisen Udongein Inaba is playable. No words can contain my happiness for her inclusion.
Nor can I describe how fantastic it is to have Sanae back.
Hype!!!
uh
Everything in that post leaves me speechless.
And why can't ZUN get someone else to do the art? Was SWR made by other people entirely?
He did compose all the music and it is quite good. But that doesn't mean he has to make the drawings too. Oh well.I guess he wants his game HIS way. Art isn't his strong suit, but music is; I believe he composed all of the themes from the Touhou verse.
I never liked how any of them looked art-wise.I never liked how the more recent ones looked art-wise.
Starting watching Railgun. Its unique. I like all the different "powers" people have. Some are pretty creative, such as the power to change the viscosity of asphalt. I think I'll keep watching.
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Don't want to watch Railgun because it seems a bit immature.
I never liked how the more recent ones looked art-wise.
Didn't even know this was a thing, but it doesn't surprise me that it is in the slightest. Makes me wonder if it's possible to make an actual good song out of a mashup of anime intros.
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Rei is not allowed to be this cute.
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I'm sorry but Chuunibyou was actually about maturity as a concept.pff, coming from a fellow Chuunibyou watcher.![]()
I'm sorry but Chuunibyou was actually about maturity as a concept.
Certainly no. But what I mean is that the show deals with maturity in both theme and execution.I don't think you can say the things outside of that were very mature though, either.
Certainly no. But what I mean is that the show deals with maturity in both theme and execution.
Index and Railgun seem to be aimed toward a more adolescent audience in terms of characters and story.
Finished Shinsekai Yori. First half of the show was pretty bland (could care less about some of the Group One people), but the second half was awesome. I'm thinking that the first half served mostly for world-building. Either way I was genuinely interested once I passed ep 15 or so. Ending was pretty satisfying too, though it was predictable to me.
That is true, but I still think the way it was actually executed is similar to how Index and Railgun executed their underlying ideas too. They both have silly moments to keep the viewer interested, but at the same time when it does get critical, hell, it gets critical alright.
What do you personally think the message of the show was?
I foolishly said I would rewatch this someday in hopes of picking up the material, but I have not done so til this day.