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Skyfall (Sam Mendes, 2012) -- The latest Bond movie, where his loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost. in the grand scale of Bond movies, this one actually worked out quite well, especially having Daniel Craig in it, see I watched my fair share of Bond movies in a current state between th etimes when Timothy Dalton and Pierce Brosnan were the Bonds, and all of the older ones as either rentals or reruns, so the Bond of my time was a distinct blah. And then a few years back along the Bond lineage, came Daniel Craig and despite not having loved his first two turns as Bond, I felt that the franchise had finally been given a promising new lease on life.
In Skyfall Craig pulls off a decent mixture of nostalgia and modernity, which was just what the franchise needed. Along with an excellent performance by Javier Bardem and the visually impressive, suspenseful and dark theme that Mendes shoots with, this is truly one of the really good Bond movies, with all the bits of action, suspense and sarcastic bits that made the pre-1980 Bond so cool.
Sadly, the last sequence of the movie doesn't live up to what preceded it, making the ending seem a bit tired, it wasnt enough to detract from the energy and drama that set it all up. This movie doens't follow the usual Bond storyline where the bad guys threatens to destroy the world, this one's a more personal story, and in that Mendes seems to have broken many rules regarding the movies, btu it's in that that he managed to make this one such a good movie, although the ending could very well be any other movie. It's sitting right now at 246 in IMDb's Top 250, but it's the type of movie that will fall away from it soon. 7.5/10
Max Manus (Joachim Rønning, Espen Sandberg, 2008) -- The true story about one of the most brilliant saboteurs during World War II and his battle to overcome his inner demons. An epic movie about the saboteurs in World War II and their alleged place in helping Germany lose the war. Although there are many action and suspenseful parts to the movie, it's also very much about the psychological effects such a life would have on this man, who got to be a heavy drinker during the war, and after. Being a hero is just a part of the whole story.
The boyish relationships between the men, where they actually worked with very young guys whoc weren't likely targets but nevertheless became so. There is excellent acting from every side and the characters are likeable. Although it was very hard at times to root for a country that really gave up so early on into the war. But at least Max Manus never stopped believing that the Germans could be beaten, even though he was far down after losing his friends one by one in this battle for freedom. 7/10
S1M0NE (Andrew Niccol, 2002) -- A producer's film is endangered when his star walks off, so he decides to digitally create an actress to substitute for the star, becoming an overnight sensation that everyone thinks is a real person. Being that is stars an actor who is more notable for his dramatic roles, I was curious enough about watching this movie, and the premise seemed interesting enough. The movie works well enough as a critique on the current Hollywood state of actors being treated as royalty, but as a movie itself, it really became unwatchable, boring and stupid after the first 40 minutes. Still, I endured until the end, and was defintely not awarded a better movie, but a really weak and dull ending.
The acting is quite spotty because Al Pacino plays a stupid guy and it's unnerving how well he can manage that, but the movie also has Jason Schwartzman in it, and he was completeyl wasted! (his talent, I mean). Rachael Richards (or Anna Green or whatever she is calling herself now) on the other hand, is perfect as S1m0ne: an insipid mannequin with no talent without somebody to operate her. 3.5/10
Papillon (Franklin J. Schaffner, 1973) -- A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape. This is truly one of the most underrated movies of all time, with Steve McQueen and Dustin Hoffman delivering stellar performances that start out cheerful enough and turn maddenglyu depressing towards the end of the movie, but never losing its sense of freedom and longing for it, always making the viewer root for them and think they can actually make it, even if the odds are so much against them. Seeing the timeframe it came out in, it's no surprise it didn't fare as well, since the two first Godfathers came out around the same time and The Sting as well. It's certainly one of the best 'run for freedom' movies, and one of the really good movies from the 70s, even from the 20th century. 9/10