amateur photo thread.

  • Thread starter Conbon14
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Okay @Ibonibo I have a question for you again (or anyone else that shoots at night)...

Do you use a grey card before you shoot, or if you don't, do you keep you white-balancing in auto or a select scene?

On my shots, they always turn out grey when in fact it should be white on black, thus making me tinker with the values in lightroom...
 
Okay @Ibonibo I have a question for you again (or anyone else that shoots at night)...

Do you use a grey card before you shoot, or if you don't, do you keep you white-balancing in auto or a select scene?

On my shots, they always turn out grey when in fact it should be white on black, thus making me tinker with the values in lightroom...

I don't use Auto white balance, as on long series if the cam changes inbetween, it makes it more difficult later. I batched treated all my images in LR later (on quite a few sliders).
 
I don't use Auto white balance, as on long series if the cam changes inbetween, it makes it more difficult later. I batched treated all my images in LR later (on quite a few sliders).
Yeah... That's the mistake I made then, as some were different than others. Normally I'll leave it on an incandescent condition, but this time I didn't :indiff:

I just wonder how it would actually work if I did choose to use a grey card, because I don't think it would pick up much of the scene. But again, the whole point of them is to find the correct exposure..
 
Do you use a grey card before you shoot, or if you don't, do you keep you white-balancing in auto or a select scene?

On my shots, they always turn out grey when in fact it should be white on black, thus making me tinker with the values in lightroom...

I haven't used a grey card in years... outside of a view things for video production classes. But for stills and stills for time-lapse, panoramas, etc. the RAW files are so flexible there is no reason to bother with the white balance settings. And I mean in virtually all situations I just leave it on Auto and figure it out in post.

As for finding the "correct" exposure for a night scene where you are interested in stars, I don't feel a grey card would make much difference.
 
As for finding the "correct" exposure for a night scene where you are interested in stars, I don't feel a grey card would make much difference.
Yeah... that's what my mind was pointing to...

Tomorrow though I'm thinking about stopping by BestBuy to see if they have any these:
SanDisk Extreme PRO SDHC/SDXC UHS-II Memory Card

Not sure if the D3200 has a certain write speed, to the card but I'm thinking if I do more of these time-lapse shoots, just a 5 minute clip is going to take some 5,000+ shots...
 
I've decided that I'll be selling my Pentax Super Program.

I have not taken shots with it, or had any developed, but I can if anyone is interested. It is not listed on CL or eBay yet, so if anyone is interested PM me.
 
I'm not a pro by any means, but I do enjoy photography as a hobby. I took this picture a while back and I really liked it. Not usually big on black and white, but this works for me.
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At work, my view from the office; the storm is coming..
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Few minutes later, you couldn't see a thing;
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And it ended so beautifully (looking to the left instead of right on the above 2);
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Excuse the quality, taken with my phone :)
 
Made a grey/gray card with a few swatches I had laying around. Does the job quite nicely in comparison to the actual colors... Hopefully it wont be so switchy again tonight..
 
^ I think the placement of the house is exactly right
Yeah, I'm glad the way it turned out... For being just in my front yard and this being the only opening to the sky I have, I like it very much.

I never thought I'd be able to see Polaris though, as it's a high inclination than my other house..
 
So while these are a couple months old I went to AVCon 2015 and had my first real attempts at cosplay portraits. Of course the paid pros blew me out of the water but I didn't do too bad I reckon for having a kit lens and no other equipment on hand aside from a tripod.


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr


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by Ryan Lockwood, on Flickr

I also got myself a 50mm prime today and took some quick test photos:

sicem2 by Ryan Lockwood, on Flickr


rose
by Ryan Lockwood, on Flickr

sicem3 by Ryan Lockwood, on Flickr
 
As some of you may know, I've moved from Massachusetts to Kentucky. Before I left, I took these photos.

https://flic.kr/s/aHskjVY6AV


IMG_7795
by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr


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by Harry Dang, on Flickr​

Yes, I'm a strong believer of the Rule of Thirds.
 
Like the first one, curious to see how it would feel with the sign and white post thing clone/stamped out.
Yeah... I don't have PS and didn't really attempt to do much in LR with it, even though I knew it would be a problem when I was shooting.

The first and last one also suffer severely from merging the shots, as some are darker than others(look at the tree right where all the branches branch out).

In the first one there is also a blend I tried to do halfway up the frame. Although it's only on one side of the milky way, I'm thankful it appears like there's another blur on the right side almost parallel to it.

Here is also the other one I was afraid would turn out bad, but actually didn't. I thought I didn't arch the camera up high enough to get a taller result like the second one, but it turned out well.
Untitled by Jacob Buchanan, on Flickr
 
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I like that one as well, though it looks like a frame didn't line up to the right of the dock. Are you adjusting for vignetting before merging, as I found that can be an issue on fast lenses, especially when shooting the sky.
 
though it looks like a frame didn't line up to the right of the dock
No, it's actually pretty close as far as the dock goes. We had a bad drought and it did bend a few docks when they sat on the shores, this was one of them (if you're talking about how the walkway seems level but the actual dock looks kilted to the right a bit).

Are you adjusting for vignetting before merging, as I found that can be an issue on fast lenses, especially when shooting the sky.
No on this too. I had to put all of the shots into Microsoft Image Compositor because I find that when I adjust one image and sync them all, or adjust every image individually, I'll get different results. So I ended up just adjust the entire thing at the end. I know you get better results when doing them individually, but on a 6x3 (plus three shots, there are 21 here alone) it gets kinda difficult.
 
I should probably use more ISO next time but I'm still happy with the result.

nightsky%20facebook_zpsusuwohwu.jpg



Here is also the other one I was afraid would turn out bad, but actually didn't. I thought I didn't arch the camera up high enough to get a taller result like the second one, but it turned out well.
Thats very nice, I really like it! :dopey:
 
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