Okay @Ibonibo I have a question for you again (or anyone else that shoots at night)...
Do you use a grey card before you shoot, or if you don't, do you keep you white-balancing in auto or a select scene?
On my shots, they always turn out grey when in fact it should be white on black, thus making me tinker with the values in lightroom...
Yeah... That's the mistake I made then, as some were different than others. Normally I'll leave it on an incandescent condition, but this time I didn'tI don't use Auto white balance, as on long series if the cam changes inbetween, it makes it more difficult later. I batched treated all my images in LR later (on quite a few sliders).
Do you use a grey card before you shoot, or if you don't, do you keep you white-balancing in auto or a select scene?
On my shots, they always turn out grey when in fact it should be white on black, thus making me tinker with the values in lightroom...
Yeah... that's what my mind was pointing to...As for finding the "correct" exposure for a night scene where you are interested in stars, I don't feel a grey card would make much difference.
Yeah, I'm glad the way it turned out... For being just in my front yard and this being the only opening to the sky I have, I like it very much.^ I think the placement of the house is exactly right
Yeah... I don't have PS and didn't really attempt to do much in LR with it, even though I knew it would be a problem when I was shooting.Like the first one, curious to see how it would feel with the sign and white post thing clone/stamped out.
No, it's actually pretty close as far as the dock goes. We had a bad drought and it did bend a few docks when they sat on the shores, this was one of them (if you're talking about how the walkway seems level but the actual dock looks kilted to the right a bit).though it looks like a frame didn't line up to the right of the dock
No on this too. I had to put all of the shots into Microsoft Image Compositor because I find that when I adjust one image and sync them all, or adjust every image individually, I'll get different results. So I ended up just adjust the entire thing at the end. I know you get better results when doing them individually, but on a 6x3 (plus three shots, there are 21 here alone) it gets kinda difficult.Are you adjusting for vignetting before merging, as I found that can be an issue on fast lenses, especially when shooting the sky.
Thats very nice, I really like it!Here is also the other one I was afraid would turn out bad, but actually didn't. I thought I didn't arch the camera up high enough to get a taller result like the second one, but it turned out well.