The first two are awesome, but since I don't know the guy in the photos the last two I don't find particularly interesting. (It's hard to explain, and while great photos there isn't enough to draw my attention from the guy I don't really care about or know)
Personally, I like this new processing. More natural, with softer tones.I've been trying to get a more consistent color and tone to my images lately, would love to hear some input on the recent images and my processing choices.
Having said that, I still think that your daylight landscape shots usually have the blues tones a bit too saturated (like in the post above, or in #350). Just my opinion, of course. 👍
I thought that was only an issue in long-exposures.So I've figured out how to really excite the sensor reflection issues on the a7, which happens to go hand-in-hand with a lot of my night street work. But it is what it is.
I thought that was only an issue in long-exposures.
How are you liking the little 40/1.4?