- 49
- Australia
Hi Guys, both welcome & thanks for the new input being created in this thread, especially to you HoiHman. Like Mr Latte, I have enjoyed many of your previous posts on other threads & eagerly look forward to your future thinking methodology & commentary. Thanks, PetroVit78, for ‘chiming in’ with questions of your own – good stuff - which no doubt will help me also. All the very best with your build & experimentation, I look forward to hearing more.
A considerable amount of my own thinking has gone into my DIY project in regards to the vibrational conflicts that will occur by running both chassis & extension modes, employing eight tactile units (TU’s). As I have not yet experienced my “first-time-feel” with tactile feedback, I’d like to state here, once again, how indebted I am to all you, for your continual interest & support - your sharing of experiences will no doubt save me considerable anguish with my own build.
I have a few ideas I’d like to share with you below, but firstly;
HoiHman, in a previous post I briefly mentioned my reasoning for not selecting a partial or full-motion cockpit. Although I still openly support my thinking over motion versus non-motion, I must take fault that I neglected to mention the GS-4 racing seat, invented by Pat Dotson. This is a remarkable product & one of my future upgrade possibilities. I’m also interested in hearing how you go with HE pedals, which have made my short-list.
SLOTTING
Now, back to my thinking on TU (tactile unit) vibrational mixing or bleeding. I propose applying a router & creating slots – or slotting – to my wooden chassis floor. Perhaps I should provide an example.
Imagine if you will a square wooden board 900mm x 900mm (36 x 36 inches). By taking a pencil & drawing a straight diagonal line from corner to corner, we divide the board into two pieces. Then, starting & finishing 25mm (1 inch) from the boards’ corners, with router, we machine a slot along this drawn line.
Next, by mounting a TU in the centre of each divided board & applying both equal effects & singular force (such as a gear shift) to each TU, we achieve a different shape or form with this directional flow or tactile throb… originally an “even spread” of tactile vibration over the entire board resulted, but now, a pathway exists for this directional flow, towards each of the two corners. I assume that this vibrational force wishes to occupy all available “ground” until this singular wave force has run its race or is out of breath. Note that both directional flows from each TU will eventually mix, albeit quite differently with this illustration.
Obviously, this is but an example to introduce the concept & would not work for above, as the force of the TU’s would possibly break the board in two. But, with some further investigation, literally dozens of slotting prototype designs can be plotted to a wooden chassis floor – but obviously not ALL applied at the same time as the chassis floor would both resemble & have integrity of Swiss cheese.
The benefits of slotting, to my thinking, are threefold, although I do stress that this theory will probably NOT terminate the TU mixing absolutely, but can possibly help reduce this perplexing challenge. Here are the benefits;
One; help reduce an “even-spread” intercourse of two TU’s in close proximity.
Two; same as above, but by adding additional slotting in the same area, help reduce this “even-spread” further. Consider the “maze” effect – a significant serving of these vibrations can now be focused around or thru the slotted “maze” to eventually dissipate, perhaps without ever coming into contact with vibration from another TU? The vibrations that do mix will now be reduced in power or force, quantity & number.
Three; help “direct, mould or channel” the TU vibrational effect(s) to a particular desired location, such as pedals & seat mounting contact points.
Furthermore to this concept of slotting, I expect to have my race seat raised above the chassis floor with four wooden boards in a square configuration, with rubber isolation material to help separate effects further… dozens of combos have come to mind but nothing concrete yet. With six TU’s mounted in various locations on the chassis floor, I can help direct the flow of vibrations to each specific location or board; hence the unavoidable vibrational mix will occur in closer proximity to the race seat mounting points, rather than mixing on the chassis floor. If the vibrations were mixed on the chassis floor, this vibrational jumble would need to travel a further distance before reaching the seat’s mounting points. I am just speculating here, guys, hear me out.
If one were to think this through carefully, as I deduce you guys have already done so, if we now collect ALL of the vibrations that are directed solely to our race seat – to be resolved in the seat of our pants, if you like – ALL of these vibrations will be mixed to some degree before they actually hit our pleasure centre - perhaps I should re-phrase this - in other words, would not the best result achieved be this – an unavoidable vibrational mixing effect to occur as LATE as possible?
Your thoughts & disqualifications are most welcome.
Mr Latte,
Thanks for your commentary, photos & link, very interesting – especially so over the last few days, great stuff! Absolutely love what you’ve done with your seat - what a sweet ride you now have & the photos look awesome in B&W. I eagerly await your feedback when you have yourself firmly established. Please notify me in advance in regards to your IPO (Initial Public Offering) when listing on the FTSE
Also, regarding my previous post – my copy & pasting of published specifications for “Peak Tactile Force or the Big Hits” measured in pounds-foot (lbs – ft) in regards to the differences of LFE versus T429 Platinum, generously compiled by Jerry at the Bass Shaker Site… Mr Latte, your words, “Power Misrepresentation Example”.
Yes, I couldn’t agree with you more that published numbers can be misleading. I must admit that it raised my eyebrow too, even though I’m just an audiophile newbie. So, what do I know? Not very much… I’m still struggling to clearly discern what both frequency & hertz (Hz) mean… specifically when it comes to the differences between Hz, Hz no more, Hz ever so slightly & Hz so good.
Rest assured, Mr Latte, we are both reading from the same page in regards to these matters. Yes, from my research, I totally agree with you in regards to the LFE packing a greater punch than the T429… so much so, I plan to install three of these bad-boy monstrosities.
Thanks for your help regarding the INPUTS. How about the OUTPUTS? Are the sockets or ports of the LFE & T429 alike or do I require a different type of connector? Is there “one easy solution” in regards to buying a speaker wire with a connecter at each end, to connect the iNuke to T429/LFE?
Thanking you in advance.
Sorry gentlemen, I promise to keep my future posts shorter, as attention spans do differ widely. If you managed to reach this point in my post without rolling your eyes & screaming obscenities at your monitor or mobile device, I congratulate & thank you.
Cheers.
A considerable amount of my own thinking has gone into my DIY project in regards to the vibrational conflicts that will occur by running both chassis & extension modes, employing eight tactile units (TU’s). As I have not yet experienced my “first-time-feel” with tactile feedback, I’d like to state here, once again, how indebted I am to all you, for your continual interest & support - your sharing of experiences will no doubt save me considerable anguish with my own build.
I have a few ideas I’d like to share with you below, but firstly;
HoiHman, in a previous post I briefly mentioned my reasoning for not selecting a partial or full-motion cockpit. Although I still openly support my thinking over motion versus non-motion, I must take fault that I neglected to mention the GS-4 racing seat, invented by Pat Dotson. This is a remarkable product & one of my future upgrade possibilities. I’m also interested in hearing how you go with HE pedals, which have made my short-list.
SLOTTING
Now, back to my thinking on TU (tactile unit) vibrational mixing or bleeding. I propose applying a router & creating slots – or slotting – to my wooden chassis floor. Perhaps I should provide an example.
Imagine if you will a square wooden board 900mm x 900mm (36 x 36 inches). By taking a pencil & drawing a straight diagonal line from corner to corner, we divide the board into two pieces. Then, starting & finishing 25mm (1 inch) from the boards’ corners, with router, we machine a slot along this drawn line.
Next, by mounting a TU in the centre of each divided board & applying both equal effects & singular force (such as a gear shift) to each TU, we achieve a different shape or form with this directional flow or tactile throb… originally an “even spread” of tactile vibration over the entire board resulted, but now, a pathway exists for this directional flow, towards each of the two corners. I assume that this vibrational force wishes to occupy all available “ground” until this singular wave force has run its race or is out of breath. Note that both directional flows from each TU will eventually mix, albeit quite differently with this illustration.
Obviously, this is but an example to introduce the concept & would not work for above, as the force of the TU’s would possibly break the board in two. But, with some further investigation, literally dozens of slotting prototype designs can be plotted to a wooden chassis floor – but obviously not ALL applied at the same time as the chassis floor would both resemble & have integrity of Swiss cheese.
The benefits of slotting, to my thinking, are threefold, although I do stress that this theory will probably NOT terminate the TU mixing absolutely, but can possibly help reduce this perplexing challenge. Here are the benefits;
One; help reduce an “even-spread” intercourse of two TU’s in close proximity.
Two; same as above, but by adding additional slotting in the same area, help reduce this “even-spread” further. Consider the “maze” effect – a significant serving of these vibrations can now be focused around or thru the slotted “maze” to eventually dissipate, perhaps without ever coming into contact with vibration from another TU? The vibrations that do mix will now be reduced in power or force, quantity & number.
Three; help “direct, mould or channel” the TU vibrational effect(s) to a particular desired location, such as pedals & seat mounting contact points.
Furthermore to this concept of slotting, I expect to have my race seat raised above the chassis floor with four wooden boards in a square configuration, with rubber isolation material to help separate effects further… dozens of combos have come to mind but nothing concrete yet. With six TU’s mounted in various locations on the chassis floor, I can help direct the flow of vibrations to each specific location or board; hence the unavoidable vibrational mix will occur in closer proximity to the race seat mounting points, rather than mixing on the chassis floor. If the vibrations were mixed on the chassis floor, this vibrational jumble would need to travel a further distance before reaching the seat’s mounting points. I am just speculating here, guys, hear me out.
If one were to think this through carefully, as I deduce you guys have already done so, if we now collect ALL of the vibrations that are directed solely to our race seat – to be resolved in the seat of our pants, if you like – ALL of these vibrations will be mixed to some degree before they actually hit our pleasure centre - perhaps I should re-phrase this - in other words, would not the best result achieved be this – an unavoidable vibrational mixing effect to occur as LATE as possible?
Your thoughts & disqualifications are most welcome.
Mr Latte,
Thanks for your commentary, photos & link, very interesting – especially so over the last few days, great stuff! Absolutely love what you’ve done with your seat - what a sweet ride you now have & the photos look awesome in B&W. I eagerly await your feedback when you have yourself firmly established. Please notify me in advance in regards to your IPO (Initial Public Offering) when listing on the FTSE
Also, regarding my previous post – my copy & pasting of published specifications for “Peak Tactile Force or the Big Hits” measured in pounds-foot (lbs – ft) in regards to the differences of LFE versus T429 Platinum, generously compiled by Jerry at the Bass Shaker Site… Mr Latte, your words, “Power Misrepresentation Example”.
Yes, I couldn’t agree with you more that published numbers can be misleading. I must admit that it raised my eyebrow too, even though I’m just an audiophile newbie. So, what do I know? Not very much… I’m still struggling to clearly discern what both frequency & hertz (Hz) mean… specifically when it comes to the differences between Hz, Hz no more, Hz ever so slightly & Hz so good.
Rest assured, Mr Latte, we are both reading from the same page in regards to these matters. Yes, from my research, I totally agree with you in regards to the LFE packing a greater punch than the T429… so much so, I plan to install three of these bad-boy monstrosities.
Thanks for your help regarding the INPUTS. How about the OUTPUTS? Are the sockets or ports of the LFE & T429 alike or do I require a different type of connector? Is there “one easy solution” in regards to buying a speaker wire with a connecter at each end, to connect the iNuke to T429/LFE?
Thanking you in advance.
Sorry gentlemen, I promise to keep my future posts shorter, as attention spans do differ widely. If you managed to reach this point in my post without rolling your eyes & screaming obscenities at your monitor or mobile device, I congratulate & thank you.
Cheers.