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- Cebu
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NGE in Japan is a kid's show. Surprised people didn't know that, unless they're unaware of the cultural differences between Japan and North America.
wat
NGE in Japan is a kid's show. Surprised people didn't know that, unless they're unaware of the cultural differences between Japan and North America.
it's a bit sad that I don't know who in heck are any of them.
http://www.animenewsnetwork.com/bbs/phpBB2/viewtopic.php?p=1022963#1022963AnnfEvangelion is a children's show, shown in a late afternoon time-slot and designed primarily to sell toys and advertising slots from 3rd-party sponsors. (Technically, I'd call it a "modern Gundam-style" children+otaku show, in that certainly they intend to get the otaku market as well, but it's primarily a kids' show. This is also what they tried to make Code Geass R2 into.) On top of that, Eva got lucky and achieved "societal phenomenon" status; it's a special case, not something that happens every year or even every decade.
What I'm trying to say is, the "reaching out" you talk about doesn't really make sense. There're already mass-market cartoons in Japan. Kara no Kyokai just isn't one of them.
Bleach, Naruto, One Piece, PreCure, Inazuma Eleven, Guren Lagann, Gundam--these are all mainstream kids shows, like Eva. Some become classics and are re-run on TV over and over. (For example, Urusei Yatsura is currently running at 7PM on Sundays.) Then, there are also mainstream adult sitcom cartoons such as Mainichi Kaasan.
http://en.wikipedia.org/wiki/Hideaki_Anno#Neon_Genesis_EvangelionNeon Genesis Evangelion
Main article: Neon Genesis Evangelion (anime)#Origin and production
Anno's next project was the anime TV series Neon Genesis Evangelion (新世紀エヴァンゲリオン Shin Seiki Evangerion?), (1995–1996), which would be recognized as an influential animated series, championing a return to older styles of drawing and themes in Japanese animation and taking them to new heights of precision and depth.
It is plausible that Anno's four-year period of depression was the main source for many of the psychological elements of the series and its characters, as he wrote down on paper many of the trials and tribulations of his condition. During the show's production, Anno became disenchanted with the Japanese "otaku" lifestyle, considering it a form of forced autism. For this and other reasons (although perhaps by design as well), Evangelion's plot became increasingly dark and psychological as the series progressed, despite being broadcast in children's television timeslot. Anno felt that people should be exposed to the realities of life at as young an age as possible, and by the end of the series all attempts at traditional narrative logic were abandoned, with the final two episodes taking place within the main character's mind.
The show did not garner high ratings at its initial time slot, though it was soon moved to a later, more adult-oriented venue and became exceptionally popular throughout Japan.
After the ending of Evangelion, Anno received numerous letters and emails from fans, both congratulating him on the series and criticizing the last two episodes. Among these were death threats and letters of disappointment from fans who thought Anno had ruined the series for them. Soon, a project was launched to create a movie with a new ending for the series in 1997, eventually culminating in the controversial The End of Evangelion. (End of Evangelion displayed about a dozen letters from fans, including a few death threats.)
In September 1999, Anno appeared on the NHK TV-documentary "Welcome Back for an Extracurricular Lesson, Sempai!", answering some Evangelion related questions, including the origin of the name Evangelion, and teaching children about animation production.[8]
Let me know when you find one saying it isn't a kids show, or is a kids show. There is no statement as it would be pointless.No actual statement from say, Gainax or Hideaki Anno.
Fixed.But someone on a forum with a great understanding of the Japanese market, and has a book all about the anime business in Japan said it was kid's show!!!!
They were targeting the otaku (I.E. The people who will buy the show.) when doing that. Late-night anime is almost always targeted at the adult otaku, or basically the crowd who definitely will want to buy everything for the show.You told me that Gosick aired at 1am in Japan. So does that mean Gosick is for more mature audiences than Evangelion just because it was aired at a later time?
Except it seems like he's never seen it either.
Late-night anime is almost always targeted at the adult otaku, or basically the crowd who definitely will want to buy everything for the show.
Time to PM Annf at ANN then about whether he has seen the show or not.
That isn't really a fair comparison as you're comparing someone like me, an American anime fan to the Japanese otaku. American anime fans don't really care what slot an anime aired in Japan (In fact, most don't know where it aired and at what time(s)). They'll buy whatever they feel is worth their money, and want to own.Then how do we explain you? It seems as though you are willing to buy anything from any timeslot.
If I like a show, I'll want to buy it. I rarely blind buy.