What is the worst song ever?Music 

  • Thread starter Curveball
  • 1,593 comments
  • 119,831 views
Then I stand corrected. Most La Roux fans blindly accept whatever NME tells them (although most of the time indirectly).

But why?! They/she/it/whatever just gives me a headache.

Come on, there is easily a lot worse music out there than La Roux. Her image shouldn't have anything to do with how good/bad her music is, I don't know why so many people continue to bring it up whenever she's mentioned anywhere!

Bulletproof is a much better song than In For The Kill, but none of her music is meant to be taken seriously, it's just fun and catchy. Although I will admit that the Skream remix of In For The Kill completely overshadows the original by a mile and is slowly becoming more and more mainstream (Even Radio 1 are using it in their ads now)

 
Come on, there is easily a lot worse music out there than La Roux. Her image shouldn't have anything to do with how good/bad her music is, I don't know why so many people continue to bring it up whenever she's mentioned anywhere!

Bulletproof is a much better song than In For The Kill, but none of her music is meant to be taken seriously, it's just fun and catchy. Although I will admit that the Skream remix of In For The Kill completely overshadows the original by a mile and is slowly becoming more and more mainstream (Even Radio 1 are using it in their ads now)


I don't really care about her image. I'm a big fan of The Cure, who look like this:

the_cure.jpg



It's just another thing I can moan about in one of my general hate-filled rants. It's the music its self that just makes me want to die.

Let's look at this logically.

Some music is catchy. In For The Kill isn't remotely catchy.
Some music is nice simply because it sounds pleasant. In For The Kill doesn't sound pleasant.
Some music is clever and intelligent. In For The Kill isn't either of those things.
Some music is designed to convey a message. In For The Kill doesn't convey any sort of message.
Some music is relaxing. In For The Kill isn't relaxing.
Some music is good to dance to. In For The Kill isn't good to dance to.
Some music is nice to sing along to. In For The Kill isn't nice to sing along to.
Some music is upbeat and makes you feel happy. In For The Kill isn't upbeat and doesn't make you feel anything.
Some music is romantic. In For The Kill isn't romantic.
Some music is evocative and emotional. In For The Kill isn't emotional
Some music feels like it's beautifully crafted and complex. In For The Kill doesn't feel like that.

I'm genuinely interested to work out what it is that people actually like about this song.
 
I don't really care about her image.

So why write this then?

There is absolutely nothing positive to say about her or her ridiculous hairstyles

I find In For The Kill very catchy and fun to dance to! Everyone I've seen in most bars/clubs knows the words, sings along and dances like a loon to it! Her album is fairly disappointing but there are some nice enough songs on it to make it worth a listen. Bulletproof is a very funky track though, even without the vocals it would make for a catchy bit of electro (Most of the album is similar too, it sounds very 80s). Out of interest, which songs have you listened to besides In For The Kill?

As for doing 'whatever NME says', a friend of mine was a fan of hers before she became well known and she's always been the same. She hasn't changed one bit now she's well known. If you find anything that NME references annoying then surely you must end up hating 99% of popular music?

We never do find out what it is she's going into or who she's aiming to kill

Of course, following the unwritten rule of 'Every song in the world must be 100% literal' , it makes no sense.
 
So why write this then?

See previous comment:

It's just another thing I can moan about in one of my general hate-filled rants.

It might not be relevant to the argument of the quality of her music, but it's an opinion I wanted to voice in passing while I was making another point.

I find In For The Kill very catchy and fun to dance to! Everyone I've seen in most bars/clubs knows the words, sings along and dances like a loon to it!

Maybe it's just me then... Thing is though, there's a difference between 'catchy' and simply popular. I know my phone number off by heart, but it doesn't mean it's easy to remember - it's simply because I've had to ram it down my own throat. Similarly, you might find yourself whistling 'In For The Kill', but consider whether it's because it's actually a memorable tune or simply because you've heard it 300 times.

Her album is fairly disappointing but there are some nice enough songs on it to make it worth a listen. Bulletproof is a very funky track though, even without the vocals it would make for a catchy bit of electro (Most of the album is similar too, it sounds very 80s). Out of interest, which songs have you listened to besides In For The Kill?

All I've done is gone through the previews on iTunes a couple of times (IFTK aside, which you simply can't escape), but they all sounded faintly mediocre to me. Bulletproof doesn't sound too bad actually - far less grating than the almighty 'In For The Kill' anyway. Worringly I actually quite liked it :S

...but I stand by my previous hatred. 1 good song out of 13 isn't really enough.

As for doing 'whatever NME says', a friend of mine was a fan of hers before she became well known and she's always been the same. She hasn't changed one bit now she's well known.

Well that doesn't surprise me - nearly every group has some genuine 'I liked them before they were cool' fans. My point was that it wouldn't surprise me if a good majority of La Roux's 'bIGGest eevAR LIKE wOW!' type fans exist purely on an sheep-style basis. I.E. everyone else likes them, therefore I do too. Even if it is on a subconscious level. I just stuck NME as a quick example of an 'authoritative' figure whose opinions generally filter through to the nation. I'm not necessarily suggesting that everyone who likes her simply read it in NME. Although it did sound a bit like that... whoops.

If you find anything that NME references annoying then surely you must end up hating 99% of popular music?

Funnily enough, I do a bit. I have a bit of a dislike for anything that sounds like it could well have been produced in under 30 minutes. In For The Kill sounds like that. It's like a 12 year old boy playing with the arpeggio function of an old keyboard - you don't need talent, you just need to sort of hit one note at a time in a reasonably repetitive manner and you have it. And it does sound like that - the tune even hits some slightly-off chords that sound sort of uneasy and horrible.

It just sounds too... simple. I'm aware that it probably didn't take 30 minutes to produce, but I'd quite like to be reassured of that fact by even a little depth of some sort. And it's certainly not the nature of the electronic genre - I've heard plenty of electro-pop that sounds far more interesting. Well one album, but it's about the only other electro-pop album I think I've heard this year.

Anyway, the other thing I dislike is the generic quaintness of it all. It's designed to sound like it was from the '80s, but it doesn't. Well it wouldn't really, seeing how Elly Jackson was born in 1988 and so probably has about as much memory of the '80s as I have. It all reminds me a bit of Marty McFly's cowboy gear in Back To The Future:

S0019d.jpg


Something tells me that if we stuck La Roux back in the '80s they wouldn't stand a chance.


Of course, following the unwritten rule of 'Every song in the world must be 100% literal' , it makes no sense.

Again, it's not like I rule out every song because it doesn't make sense. I provided a nice little catalogue of reasons why I dislike In For The Kill, and they all add up to a giant UGH. One can dismiss individual problems with something, but you've got to look at the whole picture too.

Anyway, I don't generally scribe down the reasons why I hate something. I just felt the need to back-up my generally ramblings somehow.
 
Anyway, the other thing I dislike is the generic quaintness of it all. It's designed to sound like it was from the '80s, but it doesn't. Well it wouldn't really, seeing how Elly Jackson was born in 1988 and so probably has about as much memory of the '80s as I have. It all reminds me a bit of Marty McFly's cowboy gear in Back To The Future:

S0019d.jpg

:lol: That's such a brilliant comparison.
I see where you're coming from, it's very very simple music that anyone could make but I've always found it catchy, right from the off. Funnily enough, Bulletproof took a while to grow on me. Her 'image' is beginning to do my head in a bit though, especially as in the video for Bulletproof she looks like a right creep.

On a related note, I've been listening to Florence and the Machine's album in the car and while it at first sounded amazing, especially Cosmic Love, it's really beginning to grate on me now after only 4-5 listens through. Not a good sign.
 
On a related note, I've been listening to Florence and the Machine's album in the car and while it at first sounded amazing, especially Cosmic Love, it's really beginning to grate on me now after only 4-5 listens through. Not a good sign.

Ahh, I've been there. I think part of the problem is that you've gone for the deluxe version. Expecting 21 decent songs from a brand new artist is usually asking for trouble... Most can barely manage 8 (as I discovered when I bought Empire Of The Sun's album).
 
It's the standard version, not the deluxe one. I think I might have just overplayed it to myself.
 
It's the standard version, not the deluxe one. I think I might have just overplayed it to myself.

I got sick of the album after just 1 continuous play, all the warbling and such really starts to grind after a while and I can only listen to about 5 specific songs now, it's just too full-on the whole time.
 
Disney bands SUCK!!!!!!! Hannah Montana SUCKS, MILEY Cyrus SUCKS, Jonas Bothers SUCK, and any other Disney band crap. They all SSUUUUUUUUCCCKKK!!!!!!!!!!!!:mad::mad::mad::mad::mad::mad:
 
Could be worse. I have the misfortune to catch Katy Perry on Rove Live (kind of like David Letterman/Conan O'Brien) and again on The 7PM Project (in my defence, I only had both of them on in the background), and I can say with all seriousness that she is the dimmest person ever interviewed by anyone, ever. Certainly the dimmest that I've ever seen. Everything from the story of her mother supposedly dating Jimi Hendrix through to the way they refored and found God and then this goody two-shoes choir girl starts singing about lipstick lesbianism was clearly constructed for her by marketing people to sell albums. Of course, I already knew that having seen photos of her ridiculous wardrobe and antics like diving belly-first into a giant cake.
 
Any song from Pink.
Good on her for makin it big, but stuff me! Annoying songs or what? Plus being played to death by commercial stations.
 
It may not be the worst, but I just heard Papa Roach's new single Had Enough on the radio. I don't think I have ever seen a band go so downhill so fast.:guilty:
 
If you think that is bad you should have seen the "performance" she did on SNL a couple weeks ago,I will try to find the video.

Edit: Here it is, watch it until the end to see the worst parts.
 
Last edited:
That was actually really good. She proves she can sing and that she has some talent with the piano. Unlike many other singers who end up on that show (and get caught lip-synching)

I liked it.
 
What is the worst song ever? Anything that has been watered down. I don't care what genre it is.. I don't care who wrote it.. I don't care what country it was written, what religion its associated with, who listens to it or its degree in popularity. If the song has been watered down in any sense because they felt that it would cause commotion.. it SUCKS.. And I meeaaaan that with every nerve in my body.

Or if something has a target audience... Like they write the music to make money.. Not write what they think, but add stuff in that they think will get them to sell more.. But I'm not saying selling out.. because that is usually associated with bands that have already written good music, I'm talking about people who write music but don't mean what they write.

I would probably be hated by a lot of people here if I started posting up what I think is the worst song(s) EVAH. So I'll re frame from doing dat.
 
I Gotta Feeling by the Black Eyed Peas. Worst. Song. Ever.
ladygagajustdance... what?
I actually liked the way that song was used for the opening scenes of "Dollhouse" ... but everything in that scene was chosen to show how fake it all was, so it was the irony of it rather than the actual song.
 
That was actually really good. She proves she can sing and that she has some talent with the piano. Unlike many other singers who end up on that show (and get caught lip-synching)

I liked it.

I will admit she has a good voice, it's just that she makes all her songs for a large audience which means that the songs are mutilated 1000X before they hit radio's. If she were to put out an album with her just playing piano and no pop crap it would be great. Oh, it would also help if she wore some normal clothes.
 
I second the 50 Cent motion. Ludacris, Mystikal, DMX, Fat Joe, Lil Bow Wow, Snoop Dogg, and any other pop rapper, and any song by them.

These guys might have had some bad songs, but none of them are anywhere near the worst song ever.
 
I love that for some reason, although there is a warm red liquid seeping from my ears. It sounds a bit like the bagpipes, although it also sounds like an octopus being violated in unspeakable ways.

It also reminds me of this a bit...

 
trump this :D

I got more that came from...


I was originally going to post an attack on Lady Gaga, The Jonas Brothers, all the modern dip-hop and (c)rap music artists, and Rage Against The Machine:yuck:...

After hearing that, I'm actually tempted to listen to the said artists to clear my mind of that crap that one guy was playing:scared:...

...and if there's more where that came from, it was nice knowing you guys.:ill:
 
Back