- 20,681
- TenEightyOne
- TenEightyOne
And the bad guys, Mr. Big (and I would put a spoiler alert, but it's a 32-year old film) and Baron Samedi, were black - for the only time I can recall across all Bond films. They even had a villain called Mr. White, in several films, who was also white.
I'm going to guess that all of the white supervillains and movie villains I listed will be explained away as White Privilege, because the villains are all wealthy/intelligent, which is due to White Privilege. And the corresponding white heroes previously listed are good and honourable (and wealthy/intelligent) due to White Privilege.
For those Bond villains you can probably point towards a man from a very closed white upper class circle writing about people like him (and his acquaintances) in the 40s, 50s and 60s for a predominantly white, educated readership.
Basically all fiction is a long list of White Privilege. Or something.
Of course not, as you know, but there's a strong element of a majoritative social discourse. If you find that black people are strongly under-represented in the material you mention then that falls into the sort of area that one would discuss as white privilege. Pulido says "White privilege is a form of racism that both underlies and is distinct from institutional and overt racism. It underlies them in that both are predicated on preserving the privileges of white people (regardless of whether agents recognize this or not). But it is also distinct in terms of intentionality. It refers to the hegemonic structures, practices, and ideologies that reproduce whites' privileged status". That reproduction of status, authorised heritage by another name, is part of the phemonenon.
Many of the explanations of white privilege in this thread (including those who define it in order to argue that it doesn't exist) are missing the point, at least it seems that way to me.