- 80
- vtec_da9
4. Those dudes from Dragonforce and I can't be arsed to look up their names.
micheal jay fox?
4. Those dudes from Dragonforce and I can't be arsed to look up their names.
I'm suprised by your lack of Zappa
4. Those dudes from Dragonforce and I can't be arsed to look up their names.
I would have gone with Mashed Potato Johnson, myself. "Try to plaaaaaaay this!!!"YSSMANHonorable Mention: Skwisgaar Skwigelf... Dethklok Rules!!!
1)Benji Madden - Good Charlotte
2)Tom Delonge - Blink 182
3)Whoever that guy from Fallout Boy is
4)The bassist from Yellowcard
5)Avril Lavigne
^I was just kidding with that list. Avril Lavigne should be at the top.
I'm amazed that a few people think Slash ranks so high on that list. I like Guns'n Roses too, but I never considered Slash as an exceptional guitar player though.
I agree wholeheartedly with that statement. Shredding for the sake of shredding doesn't make somebody a great musician. Creating a unique sound is what tickles my fancy. Here's 5 guitarists that I think do this very, very well:My top 5 rock guitarists are always going to be slanted towards expression and invention rather than pure technical wizardry, though you need both to reach the podium.
My top 5 rock guitarists are always going to be slanted towards expression and invention rather than pure technical wizardry, though you need both to reach the podium. So, in rough order, I'll go with:
1) SRV - goes without saying; possibly the most expressive player ever
2) Hendrix - added more to the electric guitar's vocabulary than anyone before or since
3) Jimmy Page - second only to Hendrix as a sonic visionary (to coin a term)
4) Dave Gilmour - lacks the versatility of the 3 above, but damn does he compose perfect solos
5) Zappa - his soloing is inhuman, and the thing is, he writes it that way, doesn't just go off on some left-field excursion.
I'll hold the #6 slot open for a variety of people.
A very good case was made for Slash above, so he and Sir Randall of Rhoades can hold down the metal part of the #5 timeshare.
The yin and yang of guitar, Robert Fripp and Adrian Belew, are going to have to co-host their turn. Ice and fire? Earth and sky? Whatever they are, they're amazing together.
Jack White, while very loose and idiosyncratic, is highly expressive in his playing and relatively versatile, so he gets a turn.
Billy Gibbons (pre-Eliminator gets a turn for having an instantly-identifiable sound, and well-chosen solos as well.
It's also a tossup between Albert Collins and B. B. King for the blues slot. Both are highly emotive - Collins is raw as it gets; King invented slick. They'll have to co-host also when it's their turn.
Dave Navarro, though somewhat limited in his genre, clicked off some utterly amazing, tough-talking guitar in the early Jane's Addiction days.
9000-notes-per-minute speed gods like Yngwie and that Angelo guy just don't do it for me. Incredible training and practice. No soul whatsoever. Who cares if you can recite the dictionary at hyperspeed if you never have anything to say?
Two guys who will appear on many many lists but will miss my party are Eric Clapton and Eddie Van Halen.
Clapton is also a Master Technician who plays with no feeling of his own. Every emotion he manages to get out in his playing is co-opted from someone else who played it before he did. The only time Clapton has any expression is when he's trying to sound like somebody else. His own stuff is pure vanilla.
Eddie is a little better. I could listen to him noodle around all day, and he does an admirable job as the only guitar in a 3-piece outfit. He stays off the list, however, because he never manages to catch the feeling of his own songs. Cool as each solo is, you could snip 90% of them out of the song they come from, and plunk them into some other VH song, and it would fit (or not fit) just as well. That's a fatal flaw in his playing. There's a reason he did 500 guest solos for other artists. All he had to do was whip out 30 seconds of flash and send the tape off to whoever was writing the check that month.
1)Benji Madden - Good Charlotte
2)Tom Delonge - Blink 182
3)Whoever that guy from Fallout Boy is
4)The bassist from Yellowcard
5)Avril Lavigne
That really surprised me, as much as I like John's music (and that's pretty damn much) he's never been reputed as one of the top names. Then again, the CCR classic "Pagan Baby" is a good indication that the guy can play with the best, as long as he can decide the style. It's not the outstanding speed, it's not the odd tricks, it's the ability to make simple things sound extraordinarily good. His music has the feeling that many "technicians" lack.Honorable mentions include: ... and John Fogerty.
That really surprised me, as much as I like John's music (and that's pretty damn much) he's never been reputed as one of the top names. Then again, the CCR classic "Pagan Baby" is a good indication that the guy can play with the best, as long as he can decide the style. It's not the outstanding speed, it's not the odd tricks, it's the ability to make simple things sound extraordinarily good. His music has the feeling that many "technicians" lack.
I don't even try to make a full list as I can't decide all the names but I'll pick one that hasn't been, oddly enough, mentioned yet.
Ladies and gentlemen, the master of the red Telecaster, Mark Knopfler.
Clapton is also a Master Technician who plays with no feeling of his own. Every emotion he manages to get out in his playing is co-opted from someone else who played it before he did. The only time Clapton has any expression is when he's trying to sound like somebody else. His own stuff is pure vanilla.