You can't go wrong with a Vespa.Glorious is all I can think of for that...
Almost like the frame is falling in two different directions with a sense of travel in it?So that potted plant one gives me a weird sense of vertigo, I can only assume because of the shallow DoF and the strong lines in the background. The contrast might be just right too. Either way, keep scrolling back up to look at it more.
Kind of nice to see wide-angle work without the smearing again.
Hum... You mean the vignetting on the shots with the 15/4.5, right?Kind of nice to see wide-angle work without the smearing again.
Pure luck.
Almost like the frame is falling in two different directions with a sense of travel in it?
Hum... You mean the vignetting on the shots with the 15/4.5, right?
I actually like the effect and tend to leave it that way, but your comment is making me think that I should cancel out the effect more in future shots.
To an extent I see what you mean, but I see why it's there.More like the effect from a slightly dragged exposure on a train or metro.
As you're probably aware, Voigtländer will be launching their ultra wides in FE mount, including the new 10mm. 👍At this rate I'm going to have to pick up the Heliar III 15mm for travel next year...
As you're probably aware, Voigtländer will be launching their ultra wides in FE mount, including the new 10mm. 👍
I haven't kept up with your work as of late, it looks like it just keeps getting better.
This shot.
How do you do it?
And I'm not even sure what I'd do with a with a 10mm lens besides take pictures of my feet on accident.
I've tried Canon's 11-24 L (mounted to a 5DSr) before, all I remember doing with it was run around with the camera to my eye pretending I was playing an FPS with the FOV slider drawn out to the max. 10/11mm is definitely a novel focal length for me.
Short answer: no.@35mm - I've been meaning to ask if you sell prints of your work.