Japanese Government Enforcing Anti-Piracy Law on Anime and Manga

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http://www.escapistmagazine.com/new...-Enforcing-Anti-Piracy-Law-on-Anime-and-Manga

Now, the biggest issue I see here is that Japans Manga and Anime has a massive international presence - making it an export as much as it is domestic.

Pirates, or “Fansubs” allow timely releases of English subtitled or translated mangos - something Japan can never keep up with - people don’t want to wait months on end for translated products that’s a fact, the age of the internet is all about “Here and now”.

Now, as we can easily realise - because internationally the best source for anime is going to be someone ripping it from PPV - Japan makes very little from the international audience from the show as a product.

But, this is by far and away made up for in merchandise sales and box sets When/if they are ever released internationally), which they never would have gotten if Jessica from Idaho couldn’t watch Kill La Kill on AnimeNow

So, in essence then - this law is nothing more than a massive self harming and futile battle. Well done, Japan.
 
Big problem. A lot of anime and manga, as you have pointed out, may not get an international release. Macross, for example, great anime, but thanks to Harmony Gold(the US distributor), everywhere in the world hasn't heard from the series in five years except Japan. This all stems from a deal that Tatsunoko Productions did with the distributor years ago that allows Harmony Gold to control the exclusive rights to Macross and Robotech outside Japan. Japanese courts later ruled that Studio Nue(Macross and Robotech creators) had exclusive rights to the intellectual property and that Tatsunoko only had control of distribution outside Japan. Harmony Gold continues to assert, as recent as last year, exclusive rights to the property under the Tatsunoko deal.

That is just one example of how the industry is cut throat.
 
English subtitled or translated mangos

mango-skin-benefits.jpg


Lets get this thread some activity.
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et al. sorry if I forgot someone.
 
Statistics generally show that people who pirate things are more likely to buy them later down the line...

But you can say anything with statistics. While it's true that lack of exposure due to lack of piracy may lead to a decrease in sales, at the end of the day copyright holders do have a right to enforce their copyrights, and so long as new shows continue to appear for free streaming on legal simulcast services such as Crunchyroll, this shouldn't be too much of a problem. Where the real problem comes in is with older shows such as the aforementioned Macross, which may not necessarily be available through any legal means for fans to experience. In my view, works in situations such as these should be viewed as orphaned and their copyright treated as unenforceable until they are made available for consumption through legal channels. But this is international copyright law, who expects anything to make sense?
 
Well thanks for the invite, @Cano

I'm not sure how to feel on this issue. I really do like being able to watch anything (ANYTHING) I want to on my PC. But I also respect the people who work hard to create these things, and so I try to watch them legitimately if it is possible to do so.

Then again, I pirated Evangelion 3.0... and then proceeded to buy a figure. I don't think I contributed to either side of the debate. :lol:
 
I don't get it. So they don't like piracy of animes but they're okay with 11 year old girls/boys in the nude in the same animes.

Fine. I'll watch Boku no Pico at least once before it's enforced by copyright.
 
I don't get it. So they don't like piracy of animes but they're okay with 11 year old girls/boys in the nude in the same animes.

Money.

They don't make money if you pirate it. If they put in nude 11 year old girls/boys it makes money (in Japan).
 
They're only making the situation worse IMO.

A "anti-piracy" "campaign". "Hey, let's ask in a nice fashion. That'll work. Words.". Forget trying to impose any legal ramifications on these fools. Chinese copy-right law won't help that much, I assume. Websites can always change their server locations to evade any legal issues. A unwinnable battle (IMO). Like music :P.



 
This has been going on for years...I should know I've seen virtually every scanlation site under the sun since 2004 and after I've finished a series that I've followed I buy the entire set of manga.

However, I don't understand how this is becoming news now, since Viz usually made sure to spearhead these sites being closed here in the States so they could take advantage on Shonen Jump
 
Cano you forgot @Imari.

Also, lol at the comments in the article. The NHK, it's real! :scared:

Thanks @kennylmao. As someone who actively produces scanlations of manga and doujinshi, I find this relevant to me.

The fact remains that if you don't live in Japan, the vast majority of manga and anime are not available to you except through very expensive and convoluted channels. It's possible to buy stuff from Japan if you know what you're doing or hook up with a deputy service, but yeah, expensive and convoluted. Even if you speak Japanese.

I figure there's three sorts of people when it comes to pirating.

1. The collector. The people who would buy the media if they could, but they can't. For anime, these are the people that collect the box sets and all the rest of it. These are the people who buy DVDs even after they've seen the show on TV, and as the Japanese market shows they're a significant group. I don't think English fans are any different really, there's plenty of people with the disposable income and interest who would just buy stuff if it were available.

This guy isn't a problem, because he's gagging to give away his money in the first place.

2. The cheap guy. The people who would buy the media if they have to, but probably can't afford it, and certainly couldn't afford to buy copies of everything they watch. These people download to try and save a buck.

These are really the people who will be converted from non-purchasers to purchasers if fan versions are restricted. Although they'll probably be watching a lot less since they can't afford it, so it's up to the companies whether they think that their IP holds enough sway to get a purchase over other things.

3. The pirate. The guy who was never going to pay for it. Will download, or rip other people's DVDs, and generally go to the ends of the earth not to have to pay. Faced with no other option, will probably just not watch anything.

Restricting fan versions does nothing to this guy, as he was never going to part with money for anime/manga anyway.

It's not hard and fast, and people tend to drift between groups a bit depending on their situation and so on. But you get the idea, there's only one group of people who are actually influenced by the availability of fan translations. The other two are either falling over themselves to give the producer their money, or would never do so even if it came with free race girls in bikinis. ;)

How big that middle group is is a subject for debate, but I don't think it's massive. Most people tend towards the first group for series that they love, and the third group for stuff they don't know about.

And this is the other problem. With anime on free to air channels in Japan, there's essentially a way to "try before you buy". I've picked up a few series just because I happened to see them on TV late one night, thought they were cool and started watching seriously. There's starting to be more of that in English speaking countries, but mostly it seems that unless you go looking for a series specifically you're really unlikely to just stumble across it. Crunchyroll is a decent halfway house, but it's limited unless you're forking out, which is exactly not the point.


As far as shutting people down, it will never happen. They can make it very uncomfortable for translation groups, and it may end up having to go back to more of an underground scene. But stuff like Perfect Dark and Bittorrent means that raws will never really go away, and distribution is even easier. Maybe groups can't have their own websites any more, and just dump stuff onto TPB or Nyaa. Or just set up throwaway Wordpress/Blogger sites. Or move onto Tor.

The translation community goes through periods of this, we've got one now with Wani trying to take down all their stuff. Maybe it'll be lean pickings for a while as the people involved back off while the heat is on, but it'll build up again. The demand and the capacity exist, it's never going to go away.

If they put in nude 11 year old girls/boys it makes money (in Japan).

Or that nudity isn't "OMG TABOO" like it is in most western countries. Some stuff is gratuitous, but sometimes it's just part of the show.

They're only making the situation worse IMO.

A "anti-piracy" "campaign". "Hey, let's ask in a nice fashion. That'll work. Words.". Forget trying to impose any legal ramifications on these fools. Chinese copy-right law won't help that much, I assume. Websites can always change their server locations to evade any legal issues. A unwinnable battle (IMO). Like music :P.

It depends. I've taken stuff down when the actual artists asked me, and I've taken stuff down when companies were legitimately producing an English version for sale that would be competing with my free versions.

But if a company asks me to take down the English version and they have no intention of replacing it, I'm just going to ignore them. It hasn't happened yet, but it will one day. I'm aware that what I'm doing is strictly illegal, but I'm very much of the "no harm, no foul" camp. I don't publish any raw scans any more for that reason, because although I used to I didn't like how I knew that I was doing at least some damage to the artist's sales, however slight. English versions...if there's no commercial English version that I'm outcompeting by being free, then I don't see why I should take mine down. It's a bit like the kid who has more toys than he can play with, but won't share because "mine!"

That's fine, that's their right. And I'm fine with being the one who violates that right.
 
I have no 🤬 clue how to comment on this situation. :crazy:

The brain side of me says this has been coming for years especially after all the illegal download sites that popped up a few years ago (MegaDownload or whatever). No one is making no money on this, and the guilt trip begins very quickly. As for the penalties, they are way too harsh and they need so tweaking. Also, are there monetary fines associated with this? I know when the scanaltors do the mangas, most of them actually go to Japan and buy them or order them online and wait a few weeks to be shipped here. Legal or not is the not the question, but is it right?

The heart side though, does thank God that the sites have been up for so long. I think I would have of been stuck in the world of Inuyasha and Bleach through Adult Swim/Cartoon Network for so long that I would never had to chance to see different animes nor read different mangas. If it wasn't for of the sites on the web, I would never saw Minami-ke or able to finish Nodame Cantabile, or had to chance to see Code Geass R1 and R2 until Adult Swim, or hell, You're Under Arrest which is an all time favorite of mine. I would never had the chance to read Great Teacher Onizuka (nor watch the Anime for that matter!), nor Hidamari Sketch (same story on the anime too), nor my current favorite, Minamoto-kun Monogatari (note: NSFW at all to read, not hentai, but its really not safe for work!).

As long as there are ways to keep it under control and legal, those options must be explored. ;) However, if the options are not explored, or are not feasible, or not legal, then it will get ugly. :scared:
 
I always saw that emoticon as a variety of laughter. What did you mean by it? It certainly doesn't seem to suggest any empathy, and quite the opposite.

@Imari Well said. The only thing that sticks out to me is the assessment of the size of the middle group. The piracy situation and the size of that group are interactive. The more used to getting stuff for free that people are, the more likely they'll be to gravitate towards group three if push comes to shove. How many kids these days are pretty much unaware that people used to pay for music? Buying entertainment media in general is becoming an increasingly alien concept to many.

Your rationale is sound, and your standards are admirable. I just wonder if you don't realise how far ahead of the pack you are.
 
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Disclaimer: I didn't read any of your comments.

The ironic thing is that with piracy, anime/manga has such a huge international audience. They're not making much from us anyway for several reasons:

-Accessibility is low. With whatever is available, they're extremely mediocre. I personally blame that on the average North American's tastes.

-Prices for physical copies cost a ridiculous amount of money. I know exporting ain't cheap, but either find a way around or don't expect any international sales.


Taking away accessibility will certain result in a drop of fandom worldwide. You can probably bet Anime Expo would see a massive drop in guests if the anti-piracy laws are enforced thoroughly. But it's not my call. If I don't have access to the shows I want to watch. I guess I'll just quit anime altogether :lol:
 
Thanks @Cano for inviting me. I'm (pleasantly) surprised you thought of me. Anyway...

I'm all for the fight against piracy. I have legally bought all of my anime and manga I own, and I always try to support the official releases. That's not to say I have done a few unofficial things (who hasn't?), but I believe the positive outweighs the negative. I wouldn't mind paying a few dollars to help the hard working people who create the stuff we all love.

I'm really hoping that this won't take a huge hit on my ability to watch the anime I want to see, but haven't yet, for example, Initial D Fifth Stage and Final Stage.
 
@RacingOtaku86 Well I'm sure a lot of people here would like to pay as well, to support their beloved authors, producers, and studios that make great anime and manga. But the reason why most people in this thread are displeased is because they aren't given access to the products they want in the first place-- you can't get doujinshi from Akihabara legitimately if you live in New York.
 
@RacingOtaku86 Well I'm sure a lot of people here would like to pay as well, to support their beloved authors, producers, and studios that make great anime and manga. But the reason why most people in this thread are displeased is because they aren't given access to the products they want in the first place-- you can't get doujinshi from Akihabara legitimately if you live in New York.

Then, I honestly don't know what to think about this. Some of the doujins I've read are from groups who bought the doujin and translated for us. If this puts an end to that, then I'm screwed. Then again, most aren't official works, so...
 
Forgive my lack of knowledge. What is the reason?
I just think it takes a lot of time, money, and frustration to spend at least 2 months to learn how to read, write, and speak Japanese fly from the east coast of the USA to Tokyo, and then try and get what you want in the midst of an unfamiliar, frantic environment.

In other words, I should rephrase what I said in that comment. You CAN get what you want from Akihabara, it just takes all the time and money in the world :/
 
Then, I honestly don't know what to think about this. Some of the doujins I've read are from groups who bought the doujin and translated for us. If this puts an end to that, then I'm screwed. Then again, most aren't official works, so...
Well, we shall see what happens as time passes by.

EDIT: Sorry for double posting :/
 
I just think it takes a lot of time, money, and frustration to spend at least 2 months to learn how to read, write, and speak Japanese fly from the east coast of the USA to Tokyo, and then try and get what you want in the midst of an unfamiliar, frantic environment.

In other words, I should rephrase what I said in that comment. You CAN get what you want from Akihabara, it just takes all the time and money in the world :/
Ah, I thought it was something specific to New York, as you appeared to be in California.
 
...you can't get doujinshi from Akihabara legitimately if you live in New York.

I just think it takes a lot of time, money, and frustration to spend at least 2 months to learn how to read, write, and speak Japanese fly from the east coast of the USA to Tokyo, and then try and get what you want in the midst of an unfamiliar, frantic environment.

In other words, I should rephrase what I said in that comment. You CAN get what you want from Akihabara, it just takes all the time and money in the world :/

You can get what you want, and it's not nearly as difficult as you make out. You don't need to have any Japanese language skill either, assuming that you can muddle through Japanese sites to find what you're after in the first place.

Let's assume it's not one of the few doujinshi offered by someone like J-List or FAKKU. You're going to have to actually buy it from Akihabara.

You need a deputy, someone to go and pick it up for you and post it. (Unless you're buying from Mandarake, but you still end up paying similar amounts). These people exist, both as independents who do it in their spare time and as companies who specialise in this service.

http://www.nattoli.net/question/6/how-to-buy-doujinshi

http://kaizora.wordpress.com/2012/01/13/yokatta-shopping-service-order/

You'll pay for the books themselves, any shipping inside Japan, a service fee for the deputy, and the shipping to wherever you are. The one time I did it, I think I bought about 8 books, which would be about $40-50 if I bought them myself in Japan. Landed in AU it was about $150, from memory, maybe a bit more.

General rule of thumb is expect to pay two to four times the street value of the book to get it to you. Efficiency varies a bit with deputy service and the bulk of the package. Artbooks will cost you a ton to send, but generally cost a lot to start with so the proportion stays about the same.

There are also services where people will go through this process for you and scan the book. You tell them what you want, give them money, and end up with a scan. You can choose to have the book sent to you afterwards as well. I know there's more than one group that does this, but the one I know well (Kalevala Scans) is backlogged into next century, so I wouldn't get your hopes up.

Hell, I did it myself for people for a bit while I was in Japan. I spent a good couple of weeks scanning a few thousand pages of Comic Unreal that simply didn't exist online. Someone paid me to buy them, scan them and send them the files. I've still got the books somewhere, but they're rather the worse for wear as I disassembled them entirely to get the best quality scans possible.

I'm not in Japan any more, before anyone asks. I can't buy you anything. ;) But if there's something you want, you can get it and it's not that hard. It's just a bit time consuming the first time trying to figure everything out. If anyone wants specific advice, feel free to PM me and I'll try and help out.
 
Color me not surprised.

And just a little sad. Not because they're trying to enforce rights that creators most obviously have, but simply because there are no legal sources for english versions and translations of the vast bulk of all this work. If someone were able to produce an automatic translator that could read handwritten, exaggerated chicken-scrawl (not a comment on Japanese calligraphy, but on the way manga text effects are done)... or a system that can automatically add fansubs to DVDs and BluRays... then no issue.

As it is... Japan's most popular export is getting a big black eye. Many companies that never export anime and manga in foreign languages will suffer in terms of merchandising and export of Japanese language book and DVD/BluRay sales... all without seeing a single cent from selling their non-existent english language stuff.

-

Still... they're well within their rights to enforce the law... and that's that.
 
@Imari Wow, I really did not know that. Guess I should keep that in mind for the future... ;)

In any case, it is still hard to go through the process that you explained. But at the very least, it's not as diffcult as I thought it would be.

P.S. I bought an Evangelion 3.0 figure from J-List at San Diego Comic- Con, actually. Sitting on my dresser right now.
 
Echoing what @AOS- said, I can't see this really helping the industry out as it will just push the international scene back into the underground, or if serious, kill a lot of it. Official translations are slow to roll out (sometimes years) and the quality can be questionable (Tokyo Pop/Initial D) to the extent of bad. While I'm not a huge consumer of Anime, I have enjoyed ease of access when I do come across a series I like.

Of course, as @Imari mentions, these kind of things have gone in cycles over the years where scanlation sites get shut down, then others pop up, and sometimes you're stuck going through IRC if you want new content. Generally, I felt the pressure was more on sites attempting to churn profits off posting scanlations, or just questionable tactics all around (Tazmo and co) but I've not paid much attention to the communities since the mid-2000's.

@LeMansAid - the :P is more just sticking his tongue out at the notion piracy can really be controlled in this day and age, seeing how many of the tactics employed are relatively dated and poorly executed.
 
(Tazmo and co)

Wow, that feels like a long time ago now. That was just as I was getting started, if I recall.

@Imari Wow, I really did not know that. Guess I should keep that in mind for the future... ;)

In any case, it is still hard to go through the process that you explained. But at the very least, it's not as diffcult as I thought it would be.

P.S. I bought an Evangelion 3.0 figure from J-List at San Diego Comic- Con, actually. Sitting on my dresser right now.

It's doable, but it's still more effort than anyone but a hardcore fan would go through. And no one is going to randomly buy a product that they're not sure of. When I walk into a shop in Japan, I buy anything that looks interesting, because at ~$5 a pop you might as well. When I order from overseas, I only buy series or authors that I know and really like, because I'm not wasting cash on something that's hit-or-miss.

Which is sort of the problem, the real volume of the market is in the people who just want to pick up and read/watch something. They're not willing to go through any hardship beyond walking into the local store. It's not like F2P gaming where you can get a few people with more money than sense and sell them the same thing over and over. You sell one set of DVDs/books per person, and after that you need more customers to make more money.

(The exception obviously being all the other merch that the companies produce to try and milk the whales further, but the general idea stands I think that's it's ultimately easier to sell the same thing to a lot of people than sell small volumes of a wide range of unique products.)

P.S. Take a photo of your model and PM it to me, I'll trade you a photo of my Rei. :) I remain eternally pissed off at myself for *not* buying the goth Asuka model when I had the chance. At the time $50 for a model was a lot, but I should have done it anyway. One day I'll get one...

1294994856_6860_AsukaGothloliVersion1.jpg
 

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