One Point O (Jeff Renfroe, Marteinn Thorsson, 2004) -- er... WTF did I just watch? After receiving mysterious empty packages inside his apartment, a young computer-programmer begins a personal investigation into their origins. I have to admit I'll sometimes watch a movie and if by the 30 minute mark I don't know what's going on, I'll probably restart it, which is what I did with this one. The movie tries to show the fear of biotechnology and the way it acts on certain people, but it then becomes a movie that raises a bunch of questions, yet doesn't provide any answers. So as a viewer, you're forced to make up your own mind and try to figure out what's going on. Nice obscure characters and reliable acting by most of them, although the dialogues could have been better written, since many sound ad-libbed. If you like movies that have you searching for answers and will not give you all of them, see it. If you want to be entertained and relaxed, don't. 4.5/10
Logan's Run (Michael Anderson, 1976) -- An idyllic sci-fi future has one major drawback: life must end at 30. This movie is absolutely drenched in the seventies, from the hip music and sets to the 'revolutionary' concept of free sexuality and a new face at the flick of a switch. Yet the concept of a society discarding anyone over the age of 30 seems eerily current, given that I've even heard Britney Spears derided for being 'old'. But as far as the movie itself, it does suffer from what many movies did in that era, and it's that while most current movies would've stopped at a certain point (like
THX1138 did),
Logan's Run keeps dragging along, and stops being interesting like 40 minutes before the end. After all Logan did to escape, what happens later gets worked out in a few minutes and just didn't feel with the same force and emotion as before. 5/10
Men in Black 3 (Barry Sonnenfeld, 2012) -- Agent J travels in time to M.I.B.'s early days in 1969 to stop an alien from assassinating his friend Agent K and changing history. What can I say? This is a friday night turn-off-brain movie with lots of action, some fun moments and a mildly interesting plot. While the whole movie seems a bit dated and that's its main problem, and the Agent J-Agent K duo just seems to not work anymore, even if there's a new/old Agent K in place, the movie is just for what I said: turn off your brain and try to enjoy the ride. 6/10
Killing Them Softly (Andrew Dominik, 2012) -- Jackie Cogan is an enforcer hired to restore order after three dumb guys rob a Mob protected card game, causing the local criminal economy to collapse. What was this about? The amount of great actors (Brad Pitt, James Gandolfini, Ray Liotta) made me want to watch it, as did the muscle cars in it, but the movie really tried to take off but failed miserably. What I'm saying is that by the time the final credits roll out, you're thinking "hey, where's the other half of this movie?"... I'm not sure if it's an editing issue or if the movie is made to be a two part, but come on! There's veyr little thinking in the characters and some scenes just *happen* without much explanation. This movie could've been so much, much more, but it wasn't. It's just insane violence with good actors. 4/10
Crazy, Stupid, Love. (Glen Ficarra, John Requea, 2011) -- aaaaand I guess I didn't like anything. A middle-aged husband's life changes dramatically when his wife asks him for a divorce. He seeks to rediscover his manhood with the help of a newfound friend, Jacob, learning to pick up girls at bars. Steve Carell is one of those actors I've NEVER found funny, so I try to focus on his acting abilities, which in this movie completely sucked. Ryan Gosling is still managing to lose my interest as a good actor. I haven't seen
Drive yet, but since his acting in
Lars and the Real Girl, I haven't seen him perform well or have an interesting character. The movie apaprently tries to focus the attention on the superficiality of relationships nowadays, and appears to criticize them, yet towards the end of the movie, it glorifies them, so really, what? 4/10