Looper (Rian Johnson, 2012) -- In 2074, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits. Someone like Joe, who one day learns the mob wants to 'close the loop' by transporting back Joe's future self. A very clever and original movie that doesn't dwell too much on idealizations of the future and just focuses on telling a good story and telling it well. Given Bruce Willis' movie record lately, I was kind of skeptical about watching this one, but after watching this movie, I think it's safe to say Rian Johnson has given the sci-fi genre iin Hollywood a much needed boost.
I felt the plot was a bit complex and had to restart it half way through, though I blame that on lack of concentration during the first 15 minutes, where everything is sort of explained. Other than that, the story is well constructed and the plot points are given their deserved attention, with a tight script and a good dose of dry humor. Thankfully the movie doesn't become a Bruce Willis movie, but there's a nice balance between both actors, and Gordon-Levitt shows he can carry himself along with the best of them. My only qualm is that Willis is an actor who I've seen on the screen for almost 30 years, yet his character 30 years in the past looks nothing like the actor did 30 years ago. 8.5/10
I Am Number Four (D.J. Caruso, 2011) -- Aliens and their Guardians are hiding on Earth from intergalactic bounty hunters. They can only be killed in numerical order, and Number Four is next on the list. This is his story.
Twilight for boys. I've never really seen the Twilight movies, but that's what I saw on the (realistic) reviews and it's what it seemed. The movie could've been a bit better if they'd worked a bit harder on the editing part and tried to make a better story, covering the amazing plot holes that just detract from the enjoyment. The movie is just cliché after cliché after cliché. Good special effects and the eye candy towards the end weren't enough to save it. I saw this movie expecting a flick to turn my brain off with, but the absurdity of it just left me full of humiliated confusion. 3.5/10
Shutter Island (Martin Scorsese, 2010) -- Drama set in 1954, U.S. Marshal Teddy Daniels is investigating the disappearance of a murderess who escaped from a hospital for the criminally insane and is presumed to be hiding nearby. I'm an absolute sucker for these intriguing movies that have a built preconception and just unravel from the start, having you think it's a mystery type, only to become an even greater mystery as it goes on. It probably isn't the movie for the average filmgoer, especially because it doesn't have an easy to follow plot, but also because it makes people talk about it, especially regarding the end. It's a great psychological challenge and really held my attention all the way through. I have to say I'm not a great DiCaprio fan, but in almost every movie he's been in, he amazes me, to the point that the acting in the movie is up to par with the directing. 10/10
Zwartboek (a.k.a.
Black Book) (Paul Verhoeven, 2006) -- In the Nazi-occupied Netherlands during World War II, a Jewish singer infiltrates the regional Gestapo headquarters for the Dutch resistance. One of the most characteristic Verhoeven movies, full of amazing acting and a great portrayal of the Resistance fighters of WWII. I'll admit Verhoeven is sometimes quite intense and noisy, especially regarding machine guns, but the story never sags. It's a powerful movie, though the end seems a bit too forced, where the Dutch 'fight to the end to preserve their country, in their own way', yet in reality, and for the rest of the world, what they did didn't seem more than an early run for cover, yet it's always great to see a portrayal of how everyone did their part. 7/10
Män Som Hatar Kvinnor (a.k.a.
The Girl with the Dragon Tattoo) (Niels Arden Oplev, 2009) -- A journalist is aided in his search for a woman who has been missing (or dead) for forty years by a young female hacker. A very well made movie with amazing music and cinematography, with likeable and believable characters that show an awesome and intelligent story that, although takes a long time to tell (152 minutes), captivated me completely. The movie invests well in character development and the camera movement makes you a part of the story. Amazing locations and a great recreation of the great book make this movie a must watch for anyone, as long as they're not kids...seriously, this is an intense flick. 8/10
Madeo (a.k.a. Mother) (Joon-ho Bong, 2009) -- A mother desperately searches for the killer that framed her son for a girl's horrific murder. This original and dramatic thriller has an engaging story with a surprising plot and many twists, made simple but effective by a great director, with the believable story of a single woman who does everything possible and impossible to prove the innocence of her son, who is slightly retarded. The perforance of Hye-ja Kim (the mother) deserves a nomination for the Oscar, showing a dedicated mother that really does everything to prove something that seems impossible to disprove. Don't expect action of the
Vengeance series, despite being the Korean thriller type, but this movie actually proves why Korean film making is among the best in Asian movies. 6.5/10