Last night I watched a DVD I bought at the weekend, a film that I haven't seen for years... Peter Greenaway's '
The Cook, The Thief, His Wife and Her Lover'. I think you either love this film or furiously hate it. I used to love it, but watched it again last night with some trepidation... but you know when you are just in the right mood for a movie? Well, that happened last night... and I fell back in love with this film last night.
If you haven't seen it, I strongly recommend it, but be warned, family viewing it most certainly ain't. It's pretty vile from beginning to end, infact, but strangely, for a film with such graphic scenes of general nastiness, it is blackly comic, and does raise an audible laugh at times.
The film stars
Michael Gambon (who now plays Dumbledore in the Harry Potter films, and for Top Gear fans, is the man who the last corner of their circuit is named after), who plays possibly the most vile character to ever grace the cinema, Albert Spica, a misogynistic thug who owns a restaurant and generally treats everyone around him with equal distain. His wife, played by Helen Mirren, has an affair with a customer at the restaurant, with rather disasterous consequences... (can't say any more - spoilers!! - except to say the Cook gets involved at the end...)
The film looks amazing - Peter Greenaway's use of different colours in different scenes is great, but my favourite thing about this movie was always the music, written and performed by
Michael Nyman. Most of the time, his piece '
Memorial' is pounding along in the background, providing a sinister and sombre backdrop for Greenaway's stunning (and at times disturbing) visuals. Infact, Greenaway and Nyman collaborated on several films, but in a most unusual way... Nyman always wrote the music as stand-alone music first (infact, his piece 'Memorial' was written as a tribute to the victims of the Heysel Stadium football disaster in Belgium in 1985, hence it's funerial tone) and Greenaway would choreograph the scenes around the music. Unfortunately, the crappy DVD doesn't do the sound (and esp. the music) any justice at all, and the visuals could be better too.
However, the true star of the show (other than Nyman's score) is Michael Gambon. Bearing an incredibly unfortunate resemblance to my boss, he truly embodies a spirit of pure malevolence and evil, right the way through the film. At times it's truly unpleasant to watch, but it's certainly acting of the very highest calibre.