- 33,155
- Hammerhead Garage
I wouldn't be so quick to dismiss it as being purely directorial. A lot of Shakespeare's plays are inherently political - The Tempest was a pretty pointed message to James I - and there's a reason why they continue to resonate with audiences. Did you ever wonder why he stopped writing the histories? It wasn't because he ran out of kings to write about. It was because they revealed those rulers to be human and subject to the same faults as the general population, and often in a subtle, underhanded way. Even when he was destroying Richard III's reputation - on the one hand, Richard is a tyrant who nearly brings England to its knees because of his vanity and his ambition and his resentment of his brothers; on the other, he's the smartest man in England because he knows that the War of the Roses isn't over just because the Yorks want it to be, but an unfair system means that he would be powerless to do anything about it.It's a directorial issue, nothing to do with the text.
So while this production of Julius Caesar might make the Trump elements obvious, it's really only elevating things that have always been there. I would not be surprised if I am teaching it - or any of the other political plays - twenty years from now simply because of Trump.