Secondly, this assumption completely ignores the blatant fact that societal control, especially on the global level, has been on a skyrocket course toward corporate ownership in the past 50 years. It's moving so fast that you're still stuck in Regan-era thinking, when in fact the time of that thinking has long past. The decline of the middle class is a direct result of corporate dominance. Our current society is not filled with endless innocent small-scale private entities as you would like to believe. Things are deluded and wasted just as much by corporate interests, especially when they have dismantled the competition (the small-scale people you seem to think have a real shot). As soon as corporate interests assume control over things necessary to a society they no longer have to strive against anything else to win over our dollars, or whatever is of interest to them. Quality of life/products/culture declines rapidly at this point, arguably well beyond the paranoid fears of what a socialist society would likewise produce.
1) It has been longer than 50 years.
2) If you actually research how it came to be this way you will find government behind it. Small entities can't get into the fields because regulators set the barriers to entry too high for anyone but the established corporations to continue. It is why you see things like Obama trash corporations then appoint Jeff Immelt to chair a committee. If you think the corporate interests and power are a problem you only have to blame the government, who you think should be doing the same thing to your precious arts.
The private interests in America are vastly non-American! Corporate (and quite frankly, Republican) interests are not invested in the American workforce.
Drop the party line rhetoric. You claim to be independent, yet ignore that Obama is equally guilty (as I just pointed out) or how much stimulus money Obama dumped into companies with executive family members in the administration or into special interests that are
failing, and the only excuse they can give us is that China out-subsidized the competition.
They are not interested in a country that provides for itself.
Neither is the current US government.
They are interested in growing corporate, global monoliths that they can have their shares in at the expense of the middle class.
So is the current US government.
And the basic ignorance that is often shared by people who wish to do away with funding for the arts is that in today's society the arts exist vastly in the academic setting. If you slash funding for the arts, you essentially remove it from the schools, which removes it from America's future, while at the same time putting people out of work. If you remove the arts from a society, it will surely decline. Slashing funding for the arts is directly supporting unemployment.
Yet the private schools can still maintain the arts. Odd.
You should also keep in mind that many of us in this thread think government should also be out of the education business, as they do a pretty poor job of it, as you just explained.
How many of you would then abolish artist colonies and residencies? For example, when people submit an example of their work, show promise as an emerging artist, and are awarded a stipend to spend a summer focusing exclusively on their art, with no distractions, at an artist colony or residency? These aren't important to a society?
Does no one in these colonies manage to eventually make a significant amount of money, or come from money, that they can then share within their commune? Either they never make anything the public wants, or they cave in to the very greed you blame for making art a struggle. So, either their art means little to modern society or they are self-centered a-holes who don't care about the society and community they want to fund their early endeavors.
That said, I know
a local glass blowing place, which has a storefront/gallery that sells the artists' work to the benefit of them all. It also offers classes, tours, and has rental resident properties in the upper floors. It is a business, not a colony.
When a university takes a funding cut, the first thing to go are the arts, and that means unemployment. Meanwhile the football coach gets a $200k increase...
Does a successful arts program bring in
millions of dollars?
Really? Says who? Government exists to serve the purposes that its people decide it should.
So, tyranny of the majority? That never got anybody hurt.
But let's take that further. Why not remove mathematics? Why not remove social sciences, political sciences, etc.... and better yet the study of business from government funding? Because the arts are a part of academia, and funded by the state and federal governments the same as any other field you are hypocritically choosing to keep under the umbrella of governmental provision.
I suggest government gets out of the way of all of it. But a better question to you would be, if we preserve arts in a budget cut should we cut reading, math, writing, science? You want government to protect society to as large of a degree as possible. If something must be cut which will affect the least number of people? Will literacy have more of an effect on how easy people find it to eat or the arts?
It exists primarily in an academic context where it is pursued for intellectual reasons, not reasons of commercial value. If you cut funding for the arts you take people's jobs away, and you remove what remaining threads of academic and artistic culture this pathetic society has left.
Scientists of all forms would argue that their research is far more important, as culture is pointless if we all die due to something like disease. But hey, if we ever do have an actual pandemic at least we'll leave behind some great paintings of splatters on canvas and sculptures of dudes thinking.
If arts should not be funded by taxpayers, neither should business administration studies, cellular biology, sociology, etc., etc....
I agree.
I'm afraid you are again mistaken. Artists are struggling more than ever in today's society. Very few artists can survive on art alone, and that number dwindles exponentially when it is concerning artists who pursue art "for art's sake", rather than for a commercial endeavour (see the AA logo).
I am sure we can all agree that the economy is crap right now, unemployment rates are high, etc. EVERYONE is struggling more than ever right now. I was unexpectedly unemployed for about four months recently. Fortunately I never had to take a single dime from the government so I didn't steal a single bite from an artists' mouth in order to feed my two-year-old daughter. But then, I was prepared. In fact, I was able to keep my daughter in her in her weekly dance class and even pay the fees associated with her being in The Nutcracker. You know, the class paid for and operated by private funds.
But the question I have to wonder is, if all these other struggling people can survive off of general handouts funding, and eat, and cover rent, etc why do the artists need special funding to do the same thing they already have access to?
Again, art that is only allowed to survive based on commercial appeal.
Hey, I wish my brother-in-law's "acting" career would take off too, but that is primarily because I am tired of helping him email his demo reel, head shot, and resume twice a week because he was too focused on being a star to learn basic computer skills. But I have to give him credit because he managed to have a co-starring role in an independent film now available on DVD, just finished an independent zombie film, has completed a film that is being entered into Sundance, and is in the middle of filming another film, all while working a full-time job that pays rent, feeds him, pays for head shots, an agent, various film classes, and leaves him enough to save up to eventually move to LA.
Again, one example of poor artistic decision making does not speak for the national community of artists as a whole. It absolutely does not suffice as an accurate representation of the goings on of the diverse community of artists we have here.
So, who decides what is real art and what isn't? I find a piss jar as artistically appealing as splatters on a canvas or a piece of marble carved into an intricate shape. I would rather see stage performances and paintings that look like identifiable things. But then others like interpretive art. Some find poo on a canvas and piss in a jar to be art. Some find video games to be art. So, who gets the money and who gets the boot for poor artistic decision making?
Rubbish. I would like to see some data, please. Show me that corporations can't stay in business here due to taxes.
I can't say whether they can't stay in business or not, but I would guess they are more protected against fluctuations in the market by having thinsg set up in other countries.
And only paranoia would suggest that socialism in government automatically infringes upon human rights.
If property rights is a human right then it does by definition.
Tell that to a composer who needs 6-12 months of working 8 hours a day to create a multimovement symphonic work. They need to eat in the meantime. This has literally been the case for some of my colleagues who have used the opportunities provided by artist colonies in this respect, and who have gone on to write works that have been nominated for Grammy awards. People underestimate the fact that many artists are extremely competent intellectually, as well as diligent. They aren't sitting in the artist colonies smoking dope all day and composing for 30 minutes before bed.
I would like to point out again that there are entire families that use systems in place for everyone (a system I also don't approve of), so why do the artists need special funding?
And what the hell happened to those Grammy nominees' money? Or are they one of those nominees that make the audience say, "Who?" and for awards given off TV?
I have looked directly at manufacturing, and I will not support any political candidate who endorses overseas employment for this very reason.
Be sure to not just check their endorsements, but how they vote and who they support in the background. I am assuming that since Obama gave GE, the leader in outsourcing, so many deals and appointed their CEO to head a committee that you won't be voting for him either.
Hey, I hear Roseanne Barr is running. You can even vote for an artist.